tuesday 26th July - ISME Glasgow 2016

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su m m a r Y p r og r a m m e sunday 24th July Main Auditorium, Glasgow Royal Concert Hall 1830-2000 opening CeremonY

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monday 25th July Main Auditorium, Glasgow Royal Concert Hall 1930-2100 ConCert: IT Concert

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Strathclyde Suite, Glasgow Royal Concert Hall 1200-1230 Tower Singers 1240-1310 Dobbs 16

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Stevenson Concert Hall, Royal Conservatoire of Scotland 1200-1230 Oakton Six Piano Ensemble 1940-2010 Howling Wolves 2020-2050 Canticum Choir

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AGOS Studio, Royal Conservatoire of Scotland 1200-1230 Tettix Music Group

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Ledger Recital Room, Royal Conservatoire of Scotland 1200-1230 Bordin & Cominassi Piano Duo

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The National Piping Centre 1200-1230 Mairi Campbell

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tuesday 26th July Main Auditorium, Glasgow Royal Concert Hall 1300-1330 Big Noise Raploch Symphony Orchestra 1330-1400 The Education University of Hong Kong Chorus 1930-2130 heaDline ConCert: Palestine Youth Orchestra

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Strathclyde Suite, Glasgow Royal Concert Hall 1300-1330 Dalcroze A Cappella

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City of Music Studio, Glasgow Royal Concert Hall 1200-1230 Fèis Fhoirt Cèilidh Trail Band 1230-1300 Doug Johnson 1315-1345 Håkan Rydin Trio

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Stevenson Concert Hall, Royal Conservatoire of Scotland 1240-1310 Equilibrium (Drake Music Scotland) 1320-1350 Resonaarigroup 2000-2030 The Fridays

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AGOS Studio, Royal Conservatoire of Scotland 1245-1315 Dulcemelos Duet 1315-1345 Australia East and West 1900-1930 Kimihiro Yasaka 1930-2000 Young Talents of University of Costa Rica

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The National Piping Centre 1200-1230 Music Generation Ensemble 1930-2000 Ceol Oirghialla

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Wednesday 27th July Main Auditorium, Glasgow Royal Concert Hall 1230-1300 Teachers Choir of Chaoyang District, Beijing 1300-1330 Hwaseong City Boys & Girls Choir 1330-1400 Crecer Cantando Crecer Soñando 1830-1930 heaDline ConCert: National Youth Orchestra of Scotland (NYOS) heaDline pop ConCerts: 2200-2230 USC Thornton Popular Music Ensemble 2130-2200 The ICMP Summer Collaboration

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City of Music Studio, Glasgow Royal Concert Hall 1200-1240 Monika Herzig Acoustic Project 1320-1400 The Inevitables

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Stevenson Concert Hall, Royal Conservatoire of Scotland 1200-1230 The Orchestra of Unlimited Potential 1900-1930 IFCKIDS Children’s Chorus/IFCC 2000-2030 Vollgas Connected

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AGOS Studio, Royal Conservatoire of Scotland 1200-1230 SA (仨) 1230-1300 Lancashire Youth Vocal Ensemble (LYVE) 1930-2000 Sonic Bothy Ensemble

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thursday 28th July Main Auditorium, Glasgow Royal Concert Hall 1900-1945 heaDline ConCert: Laurence Juber heaDline Jazz ConCerts: 2000-2030 Tommy Smith Youth Jazz Orchestra 2040-2055 Monika Herzig with Ann Patterson 2115-2130 Håkan Rydin Trio 2140-2215 Caleb Chapman’s Crescent Super Band

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Strathclyde Suite, Glasgow Royal Concert Hall 1200-1230 Kent State University African Ensemble 1240-1310 Baybeat Streetband

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City of Music Studio, Glasgow Royal Concert Hall 1300-1330 Francesco Banchini & Baqshish

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Stevenson Concert Hall, Royal Conservatoire of Scotland 1200-1230 Beijing New Talent Academy 1230-1300 Trio Sorop 2000-2100 The Turksoy Youth Chamber Orchestra

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AGOS Studio, Royal Conservatoire of Scotland 1200-1230 UNC Charlotte: The Improbable Ensemble 1230-1300 Anatolian Sun

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friday 29th July Main Auditorium, Glasgow Royal Concert Hall 1200-1230 East Meets West Youth Orchestra

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Stevenson Concert Hall, Royal Conservatoire of Scotland 1200-1230 SCO VIBE 1240-1310 Texas Tech University Steel Drum Band – Apocalypso Now

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Main Auditorium, Glasgow Royal Concert Hall 1630-1800 Closing CeremonY

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A merchandise stand may be available for some of the evening concert performances. The stand will be located outside the Main Auditorium before and during the concerts.

Delegates who wish to attend the Ceilidh Club require a ticket. These are limited and will be given out on a first-come-first-served basis from the registration desk.

performance overview

performance overview

performance overview

sunday 24th July 1830-2000

Main Auditorium, Glasgow Royal Concert Hall

isme 2016 opening Ceremony The Royal Conservatoire of Scotland is ranked sixth in the world for performing arts education. (*QS World University Ranking) The Conservatoire is a national and international centre of excellence for the performing arts. Building on our roots in 1847 as a national academy of music, we are now one of Europe’s most multidisciplinary performing arts higher education centres offering specialised teaching across music, drama, dance, film and production as well as encouraging transdisciplinary learning throughout our innovative curriculum. We are bold, ambitious and optimistic about our future as a truly 21st century Conservatoire. As we work towards 2020, our goal, through our students, staff and graduates, is to raise the transformative power and reach of the performing arts in Scotland and to project our distinctiveness to the wider world. The Opening Ceremony celebrates the unique position of the conservatoire and its exceptional partnerships with a wealth of artistic companies and artists to an intensity and regularity that is rare worldwide. Our professional partnerships are embedded into the life of all our programmes and include relationships with BBC Scotland, Scottish Opera, Royal Scottish National Orchestra, BBC Scottish Symphony Orchestra, Scottish Ensemble, Scottish Ballet and National Theatre of Scotland. We are delighted to be joined by three companies for the ceremony, which are leading the way in music education in Scotland; Drake Music Scotland, the National Youth Choir of Scotland National Girls Choir and Scottish Opera Connect Company. Repertoire: royal Conservatoire Brass Dmitri Kabalevsky

Fanfare for Brass Ensemble

Drake music scotland Digital orchestra Imagine the Future The Beginning scottish opera Connect Company Karen MacIver nYCos national girls Choir Gerald Finzi Kocsár Miklós Andrea Clearfield

Extracts from The Cabinet of Dr Caligari Songs to Poems by Christina Rossetti, Op. 1 Cat and Dog When I am Woman

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rCs Braw Brass Phil Cunningham Arr. Cunningham/John Logan Mairi Campbell, Dave Francis Arr. Ryan McKenzie Michael McGoldrick, Cunningham Arr. Cunningham / Logan Cunningham Arr. Cunningham / Logan

Full Circle Jigs Smile or Cry The Windmill Set Farewell to Govan

Drake music scotland Drake Music Scotland creates music making opportunities for people with disabilities of all ages throughout Scotland. Established in 1997 we are widely recognised as the leading organisation and national centre of expertise in our field. We make it possible for people with disabilities of all ages throughout Scotland to play music using accessible music technologies and Figurenotes notation. Our All Join In schools programme delivers creative projects in partnership with local authorities across Scotland and MusicSPACE offers music tuition for over 50 young people and adults at our Edinburgh base. Through our ambitious Ovation programme we collaborate with composers, arts organisations, venues and festivals, commissioning and producing performances of new musical repertoire featuring our technologies. Recent partnerships include the National Youth Orchestras of Scotland, Lung Ha Theatre Company, Royal Conservatoire of Scotland, Royal Scottish National Orchestra, Scottish Chamber Orchestra and St Magnus Festival. www.drakemusicscotland.org Performers: Digital Orchestra: Ryan Cuff, Joseph Cox, Stephanie Forrest, Andrew Giffin, Chris Jacquin, Donna O’Hara, Erin O’Neill, Neil Patterson, Rhona Smith and Steven Thornton Drake Music Scotland Pete Sparkes, Rick Bamford, Lesley Crawford, Ali Gillies, Clare Johnston and Moira Thorburn

scottish opera Connect Company Scottish Opera’s Connect Company – young singers and players aged between 14 and 21 – perform an excerpt from their 4* production, Dr Calligari. Specially-written by composer Karen MacIver and librettist Allan Dunn for the Connect Company, the piece is based on the 1920s German horror film Das Cabinet des Dr Caligari, and tells a dark and twisted story where both friends and minds may be lost. Scottish Opera believes passionately that opera’s unique blend of music, singing and theatre is a fabulous, life-affirming experience that should be nurtured for future generations to enjoy. We do this by presenting stunning opera performances in venues large and small all over Scotland. We invest in socially inclusive outreach and education work to benefit communities throughout Scotland and develop new audiences. We help young singers at the start of their careers. We also commission and create new work. At our heart is ensuring that opera in Scotland continues to be at the forefront of cultural life. www.scottishopera.org.uk/connect 2

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Performers: Cast Glen Cunningham Charlotte Hoather Erin Spence Leah Duncan-Karrim

Francis Jane Dr. Wilson Molly, the doctor’s assistant

Chorus: Julie Burns, Anna Carney, Susanna Davis, Leah Duncan-Karim, Catherine Edgar, Ellen McNeill, Lorna Murray, Caitlin O’Donnell, Trudie Robson, Erin Spence, Luke Burring, Colum Donovan-Paterson, Ross Fettes, Hamish Garrity and Peter Saunders Orchestra: Andrew Bull, Shannon Stevenson, Megan Heggie and Laura McIntosh Creative team: Karen MacIver Allan Dunn Chris Gray Laura McIntosh Julie Brown Lisa Sangster Sophie Holloway Jodie Mitchell Rose Ann Gross

Music Libretto Conductor & Director, Connect Company Head of Singing, Connect Company Director Designer Wardrobe Supervisor Assistant Wardrobe Supervisor Connect Company Stage Manager

nYCos national girls Choir NYCoS National Girls Choir, led by world-renowned conductor Christopher Bell, is part of the National Youth Choir of Scotland, the organisation dedicated to encouraging singing for young people aged 0-25. Chosen from Scotland’s best young female singing talent, the choir demonstrates a freshness of voice and unrivalled diction that receives consistent praise. Performing regularly throughout Scotland, NYCoS National Girls Choir has been invited to sing at world-class music festivals including BBC Proms in the Park, Edinburgh International Festival, Aberdeen International Youth Festival and Lammermuir Festival. The choir has released three commercial CDs to date, on the Signum label, all of which were critically acclaimed. The first is a recording of two complementary works: Britten A Ceremony of Carols and the rarely-performed Poston An English Day-Book (2010). The second is Bennett Letters to Lindbergh (2012). The most recent, Only a Singing Bird (2015), was recorded with patron and international mezzo-soprano, Karen Cargill. www.nycos.co.uk Conductor: Mark Evans Accompanist: Stuart Hope

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Performers: Lucy Blair, Sophie Bysouth, Rebekah Dean, Becky Deveney, Nicole Dickie, Georgia Dunn, Claire Gilchrist, Rachel Greenwood, Amy Higgins, Elspeth Houston, Holly Jarvis, Charlotte Jennings, Caitlin MacKenzie, Isla MacKenzie, Gabrielle McCann, Niamh McLean, Laura Murphy, Bella Robb, Madeleine Trepanier, Eleanor Wilson, Stephanie Bell, Catriona Burns, Katie Carmichael, Milly Coltherd, Lola Donnelly, Catriona Glen, Kirsty Glen, Meghan Grant, Millie Haldane, Phoebe Hayman, Emily Henderson, Mhairi Hendry, Emily Jefferson, Maryam Khan, Natalie Klaes, Iona MacKenzie, Ruby Magee, Katie McCall, Megan McCormick, Lauren Metcalfe, Sarah Mulholland, Anna Reid, Mya Tibbs, Hannah Alijani, Lara Anderson, Maggie Ashmole, Eleanor Brownlie, Sophie Craig, Orla Davey, Mia Gurure, Annabelle Guthrie, Leah Metcalfe, Sarah Sandground, Olivia Smith, Rosie Stewart, Charlotte Stuart, Grace Sutherland and Kirsty Thomson

rCs Braw Brass Braw Brass is a perfect example of how collaboration over different departments of the Royal Conservatoire of Scotland can bring us new and interesting music that has enormous educational value to our students. Braw Brass has performed at a number of high profile events including ISME 2014 World Conference in Brazil and the Association Européenne des Conservatoires conference in 2015. Braw Brass have produced a CD especially for the ISME 2016 World Conference CD which will be on sale after the Opening Ceremony. Copies will be available from the Registration Desk all week and are priced at £5 each. braw

/brɔː/ adjective SCOTTISH

Fine, good, or pleasing. “It was a braw day” Conductor: John Logan Performers: Phil Cunningham and Jenn Butterworth RCS Traditional Musicians: Ross Miller, Conal McDonagh, Bernadette Kellermann, Sally Simpson, Hannah Rarity, Ryan Mackenzie, Charlie Stewart and Fraser Stone Royal Conservatoire Brass: Mark James, Rebecca Wilson, Lloyd Griffin, Kate Cooper, Hayley Tonner, Joey O'Neill, Lewis Bettles, Daniel Pickering, Daniel Eddison, Josiah Walters and Callum Reid

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32nd ISME World Conference on Music Education

monday 25th July 1930-2100

Main Auditorium, Glasgow Royal Concert Hall

ConCert IT Concert (royal Conservatoire of scotland) (sCotlanD, uK) Tonight’s screening of the iconic 1927 silent movie IT playing with live orchestra, is a culmination of months of collaboration between young musicians from North and South Lanarkshire schools and members of the Junior Royal Conservatoire who have had the privilege of working with Patrick Doyle and his team of professionals learning the complexities of playing for a film. The young people have committed to an intense programme of weekend rehearsals where they have been coached by Bernard Docherty, former co-leader of the BBC scottish symphony orchestra, patrick Doyle and James shearman who will be conducting them tonight. Patrick, who hails from Uddingston, has been the inspiration for this project and is keen to promote the opportunities that the world of Film and TV can provide for young people. “It is extremely important to me that young Scottish people will be performing for an International audience at the ISME Conference. I come from South Lanarkshire, which gave me tremendous musical opportunities that I have built upon throughout my film composing career. Hopefully the IT project will inspire this new generation.” patrick Doyle Patrick Doyle is a classically trained composer. He graduated from the Royal Scottish Academy of Music and Drama (now known as the Royal Conservatoire of Scotland) in 1975 and was made a Fellow in 2001. Patrick has been commissioned to score over 50 international feature films, including Harry Potter and the Goblet of Fire, Brave, Gosford Park, Sense and Sensibility, Thor, Rise of the Planet of the Apes, Carlito’s Way and more recently he has completed work on the music for Walt Disney’s live action version of Cinderella and Whisky Galore which premiered on the closing night of the Edinburgh Film Festival this month. His work has led to collaborations with some of the most acclaimed directors in the world (such as) including Ang Lee, Robert Altman, Alfonso Cuaron and Sir Kenneth Branagh. Patrick has received one BAFTA, two Oscar, two César and two Golden Globe nominations, as well as winning the 1989 32nd ISME World Conference on Music Education

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Ivor Novello Award for Best Film Theme for Henry V. He has also been honoured with a Lifetime Achievement Award from (Scottish) BAFTA Scotland. Performers: Alice Gibson, Harriet Patterson, Christopher McVinnie, Kathryn Marshall, Alistair Holmes, Helen Thomson, Emma Dickson, Patrick McClair, Jennifer McEwan, Kerr McCabe, Victoria Twiddy, Shona MacLeod, Calum McCandless, Rachel Culpan, Rebecca Middleton, Sean Morrison, Shona Scott, Aileen Campbell, Morgan Inwood, Rebecca Paton, Rebecca Steven, PratikshaKate Lee, Daniel Stroud, Hannah Charleston, Morgan Charleston, Sean Allen, Matthew Docherty, Sarah Whitelaw, Hannah-Maria Viola and Rebecca Scott

This concert is on sale to the general public. ISME delegates gain access to concerts by showing their delegate badge, no ticket is required. 6

32nd ISME World Conference on Music Education

monday 25th July 1200-1230

Strathclyde Suite, Glasgow Royal Concert Hall

tower singers (uniteD states) Tower Singers is a co-ed mixed choir from The Masters School, a premiere day and boarding high school 20 miles north of New York City. This advanced choral group sings classical and contemporary repertoire in a variety of languages and is one of three academic choirs and nine academic ensembles. The ensemble’s curriculum, which focuses on individual and group musicianship and vocal technique, is used as a tool for forging connections with other people at a time in life when students are navigating the process of defining self. Students are exposed to advanced sightreading, musical literacy, and vocal techniques as discrete subjects as well as in context. Rehearsals also address positive psychology, mindfulness, and group dynamics. Repertoire: Hugo Distler John Dowland arr. Norman Greyson Wolfgang Amadeus Mozart Tomás Luis de Victoria arr. Russell Robinson Franz Schubert arr. Russel Robinson Paul Simon arr. Kirby Shaw Gabriel Faure ed. Fred Bock

Maria, durch ein’Dornwald ging Sweet Love Doth Now Invite Luci Care O vos omnes Der Tanz Bridge Over Troubled Water Requiem I. Introit and Kyrie III. Sanctus IV. Pie Jesu (Gabriella Bavaro, soprano) VI. Libera Me (August DuBeau, baritone) VII. In paradisum

Performers: Gabriella Bavaro, Natasha Scott, Charlotte Peterson, Noah Crooks, August DuBeau, Ian Accetta and Katie Meadows

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monday 25th July 1240-1310

Strathclyde Suite, Glasgow Royal Concert Hall

Dobbs 16 (uniteD states) Dobbs 16 is a Co-ed contemporary a cappella ensemble from The Masters School, a private day and boarding high school in Westchester County, NY. This advanced choral group sings popular music in 6 to 8 parts and is one of three academic choirs and one of nine academic music ensembles at Masters. The ensemble’s curriculum focuses on individual and group musicianship and vocal technique as vehicles for expanding human connections, interpersonal understanding, and self-knowledge. The group exemplifies the joy and connectivity that singing together creates; when not rehearsing and performing together, they are typically still found singing together! Repertoire: Stevie Wonder arr. Jonathan Sparks Active Child arr. Adam Leung ’17 Trad. Arr. Robert Rhodes Evanescence arr. Jennifer Carnevale Joss Stone arr. Stephen Hutchings Coldplay arr. Jared Jenkins The Sweeplings arr. Stephen Hutchings Bill Withers arr. Noah Danielson Jenelle arr. Ben Bram

Signed, Sealed, Delivered Hanging On House of the Rising Sun Going Under The High Road Princess of China Carry Me Home Ain’t No Sunshine Tightrope

Performers: Sarah Scheuer, Gabriella Bavaro, Hannah Weiss, Heather Smith, Charlotte Peterson, Emma Rubinson, Jess Kreinik, Amanda Taylor, Adam Leung, Noah Rosner, Will Hallock, August DuBeau and Noah Crooks

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32nd ISME World Conference on Music Education

monday 25th July 1200-1230

Stevenson Concert Hall, Royal Conservatoire of Scotland

oakton six piano ensemble (uniteD states) The Oakton Six Piano Ensemble, conducted by Glenna Sprague, Professor/ Coordinator of Music at Oakton Community College, is comprised of adult students, selected through a rigorous audition process at the college. Performing with a conductor, the rich, layered sound of the Ensemble is comparable to an orchestra, with each member playing a different part of the composition as the melody transfers from pianist to pianist. They perform classical, ragtime and popular repertoire arranged for six pianos. The Ensemble has performed both internationally and throughout the United States. Critics hail the Ensemble as “extraordinary”, “unique”, “musical”, technically superb”, and “innovative”. Repertoire: George Frideric Handel Richard Rodney Bennett Robert Schumann Wolfgang Amadeus Mozart Robert D. Vandall George Gershwin

Suite for Two Keyboards, Allemande Four Piece Suite, Samba triste Bilder aus Osten, Op. 66, Lebhaft di molto Sonata in F, KV.497, Adagio-Allegro Oakton Toccata Swanee

Performers: Glenna Sprague, Jeff Blaine, Beatriz Levi, Greg Luberda, Marianne Pyster, Garfield Sallman and Yukiko Fujimura

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monday 25th July 1940-2010

Stevenson Concert Hall, Royal Conservatoire of Scotland

howling Wolves (englanD, uK) The Howling Wolves (aka the University of Wolverhampton Semi-Chorus) is an undergraduate ensemble that performs an eclectic programme of music reflecting the particular likes and tastes of its members, including classical, pop, church, gospel and contemporary music. The ensemble performs regularly in the West Midlands for university and community functions and it is currently recording tracks for an OUP Voiceworks publication. The Howling Wolves have featured in two previous ISME conferences in Malaysia (2006) and China (2010). Repertoire: Choral Music: Thomas Weelkes Matthew Martin Kevin Stannard Matthew Harris William Walton, arr. Bob Chilcott

On The Plains, Fairy Trains The Lord’s Prayer Shakespeare: Three Witches Blow, Blow, Thou Winter Wind Touch Her Soft Lips And Part

Pop: Judie Tzuke The Eagles Joanna Foster David Bowie Karl Jenkins Karl Jenkins

For You Hotel California Talk To Me Life On Mars Cantus Iteratus Palladio

Founder & Artistic Director: Kevin Stannard Performers: Alice Moss, Emily Williams, Frankie Storer, Sarah Harwood, Laura Thompson, Sophie Jackson, Bethany Seymour, Lizzy Hodges, Megan Jones, Jessica Carpenter, Daniel Baxter, Lewis Orton, Kevin Stannard, Russell Taylor, Adam Young, Jack Evans and George Nash

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monday 25th July 2020-2050

Stevenson Concert Hall, Royal Conservatoire of Scotland

Canticum Choir (south Korea) The word “Canticum” means “Song of Joy” in Latin. The Canticum Choir, founded in 1996, has been playing various church music from traditional mass to Negro spirituals. The Canticum Choir, based in Seoul, South Korea, has been sincerely studying church music, and always trying to become a valuable stepping stone for Korean Christian culture by offering inspirational music through challenging repertoires and proactive concerts. We play major works and academical works (ex. Missa, Oratorio & Anthem) beyond genre and generation. Repertoire: Gyeongbokgung Taryeong

Korean Traditional Song

Shingosan Taryeong

Korean Traditional Song

Benjamin Britten Hymn to St Cecilia, Op. 27 A setting of a poem by W. H. Auden written between 1940 and 1942. Auden’s original title was “Three Songs for St. Cecilia’s Day”, and he later published the poem as “Anthem for St. Cecilia’s Day (for Benjamin Britten)”. Samuel Barber Agnus Dei (Lamb of God) This is a choral composition in one movement by Samuel Barber, his own arrangement of his Adagio for Strings (1936). In 1967, he set the Latin words of the liturgical Agnus Dei, a part of the Mass, for mixed chorus accompanied with piano. The music, in b-flat minor, has a duration of about eight minutes. Kevin A. Memley Ave Maria This is a beautiful piece in melody and form, but what stands out even more is how composer Kevin Memley has used the voice to orchestrate the piece. Programmatic effects are tastefully incorporated into the musical structure of the composition. Performers: Kwangte Su, Jinyoung Lee, Yongmi Kim, Sookhee Park, Eunok Shim, Jihye Suh, Jehyun Cha, Hyejoung Yu, Yoonju Cho, Eunyoung Moon, Miyoung Woo, Heeyoung Choi, Sunyoung Yoon, Yewon Su, Eunju Lim, Mihye Hwang, Sunhye Lee, Soonah Seouh, Yeji Seo, Jinsu Bang, Myunghoon Jang, Chung Nam, Seungwoo Nam, Hyeonseok Jeong, Sungbin Cho, Gaewook Kim, Shinhee Lee, Sukjin Su, Chanyoung Park, Youngbae Go and Unkyu Park

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monday 25th July 1200-1230

AGOS Studio, Royal Conservatoire of Scotland

tettix music group (greeCe) In order for our students to acquire experiences as music creators as well as performers we have chosen to work on the opera genre as it brings together all the elements for a wider musical exercise. Students of different ages and levels of study can participate without being classified by their skills and talent. They are fully responsible for the realization of each play: they compose melodies and lyrics (libretto), harmonize, sing (choir, arias and recitativo) and present their play on stage both as musicians and as performers, thus approaching all different areas of music involved:skill development (psychomotor), cognitive (knowledge acquisition) and, last but not least, emotional (enjoyment of music and sensitivity). Tettix was created, is directed and taught by the music educator and music instructor Teti Aivatzidou at Rizopoulou Concervatory. Up to now, Tettix have presented three opera performances: The Princess Diskoloula, Stonesoup, and The Little Prince. The performance is held under the auspices of the Greek Ministry of Culture. Tettix means cicada in Greek Repertoire/Scenes List: The program features some of the great scenes from the opera The Little Prince. Scene 1: The pilot’s fall and his first encounter with the Little Prince Scene 2: The discovery of B-612 Scene 3: Wandering on strange planets Scene 4: On Earth Leader: Teti (Eftychia) Aivatzidou Performers: Effrosyni Kakava, Faidra Belosinof, Katerina Samara, Anastasios Vemmos, Angelos Moustakis, Chrisa Grivea, Erasmia Kogia, Catherine Tsolou, Danai Patsaroucha, Aikaterini Anastasiou, Anastasia Kakava, Eugenia Boulouzou, Ioanna-Maria Vemmou, Orfeas Liapatis, George Synodinos, Dimitris Chrysikos and Natascha Mantesi

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32nd ISME World Conference on Music Education

monday 25th July 1200-1230

Ledger Recital Room, Royal Conservatoire of Scotland

Bordin & Cominassi piano Duo (uniteD states) Bordin & Cominassi Piano Duo was born as a synergy between professor and student, being part of the tradition which believes public performance as the main deed of the whole music learning course. The interest for duo’s literature during musical studies pursued both the purpose of practically pointing to the organisation of the related repertoire and the purpose of providing stress management’s techniques, respecting high performing standards. Anna Maria Bordin is Professor of Piano in the Music Conservatory of Genoa and Head of the Research Department. Enrico Cominassi is Piano teacher and accompanist in the Music Conservatory of Pavia. Repertoire: Igor Stravinsky Act I A kiss of the Earth

Act II The Exalted Sacrifice

The Rite of Spring for two Pianos Introduction The Augurs of Spring, Dances of the Young Girls The Ritual of Abduction Spring Rounds Ritual of the Two Rival Tribes Procession of the Oldest and the Wisest One The Kiss of the Earth, The Dancing Out of the Earth Introduction Mystic Circle of the Young Girls The Naming and Honoring of the Chosen One Evocation of the Ancestors Ritual Action of the Ancestors Sacrificial Dance

Performers: Anna Maria Bordin and Enrico Cominassi

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monday 25th July 1200-1230

The National Piping Centre

mairi Campbell (sCotlanD, uK) Mairi Campbell, awarded ‘Instrumentalist of the year’ 2016 is an influential and pioneering figure in the traditional music scene in Scotland. Her cutting edge approach to tradition brings free improvisation and traditional music face to face. Originally trained as a violist at the Guildhall in London, Mairi has always maintained a teaching practice – fiddle, song, and dance and improvisation, mainly to adults in her music retreat centre on the Island of Lismore. In 2016 she was appointed tutor of improvisation on the Scottish music course in the music conservatoire in Glasgow. Mairi is based in Edinburgh. www.mairicampbell.scot www.lismoremusicretreats.com Repertoire: A selection of songs and improvisations.

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32nd ISME World Conference on Music Education

tuesday 26th July 1300-1330

Main Auditorium, Glasgow Royal Concert Hall

Big noise raploch symphony orchestra (sCotlanD, uK) The Raploch Senior Symphony Orchestra is the flagship ensemble of Big Noise Raploch. The orchestra was established in 2010 and has since grown to an ensemble of over 55 players aged 9 to 18. As well as giving regular concerts in Stirling and around Scotland – notably at the opening of the new Big Noise centre in Torry, Aberdeen – the orchestra has also toured to Venezuela, performed with the Simón Bolivar Symphony Orchestra under Gustavo Dudamel as part of the London 2012 cultural olympiad and performed during the open ceremony of the commonwealth games in 2014. The Orchestra has just returned from a tour to Italy where they performed at La Mortella as guests of the Fondazione William Walton. Repertoire: Dvorak arr. David Stone Berlioz arr. Richard Meyer Piazzolla Vaughan Williams Jay Unger arr. Bob Cerulli Vaughan Williams Klaus Badelt arr. Ted Ricketts Traditional arr. Macrae

Slavonic Dance March to the Scaffold Libertango English Folk Song Suite, No. 1 March (Seventeen Come Sunday) Ashokan Farewell English Folk Song Suite Pirates of the Caribbean Auld Lang Sang

Conductors: Francis Cummings and Peter Nicholson Performers: Vincent Connelly, Erin McCulloch, Bryony Paterson, Bailey Taft, Kayleigh MacNab, Glen Barjoti, Abbie Cumming, Shanae Hussar, Karina McDermott, Patricia McDermott, Danny Urquhart, Scott Hutchison, Jossy Nwokoye, Claire Easton, Brandon Gardiner, Samira Jones, Lewis Sinclair, Hannah Tait, Alex Walker, David Church, Hannah Davidson, Ryan Lewis, Jade Campbell, Lee Gibb, Patrick Hutchison, Symone Hutchison, Izzy Beetschen, Erin Galloway, Coral Varney, Tommy Hill, Gavin Church, Robert Colquhoun, Aaron Connelly, Nyree Davidson, Kelsae Easton, Shi Yi Huang, Rory Hunter, Milena Kriz, Sophie Schiavone, Luke Barjoti, Carly Budge, Amber-Rose Conway, Brandon Conway, Tieya Davidson, Leona Ferguson, Frazer Grant, Adam Gregory, Shihan Huang, Timika Kettrick, Nikolai Kriz, Kara Letford, Chantelle Magoche, Solomon Makhathalela, Annie McCaskell, Hannah Mary McEwan and Jessica Nwokoye 32nd ISME World Conference on Music Education

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tuesday 26th July 1330-1400

Main Auditorium, Glasgow Royal Concert Hall

the education university of hong Kong Chorus (hong Kong) The Hong Kong Institute of Education Chorus was founded in 1994. With its active exploration of joint concert opportunities, the Chorus has performed at concerts, conferences, workshops and festivals in Italy, USA, Japan, Taiwan, China and Hong Kong. The chorus participated in the New Choral Settings of Tang Poems CD recording project and recorded selected choral work by Huang Tzu, published by HUGO Productions Ltd, the CD was awarded “The Best Choir Recording”. The Chorus gives regular concerts in various venues throughout the community to promote sheer joy and the beauty of choral singing. Repertoire: From the Huang Tsz Choral Collection Huang Tsz Lotus Picking Song Huang Tsz Searching for Plum Blossoms in Snow Huang Tsz Illusory Mountains from Cantata: ‘Song of Eternal’ From the New Choral Settings of Tang Poems Lam Fung The Yellow Crane Tower Leung Chi-hin Missing You Lai Sheung-ping The Golden Dress Chu Siu-hin Written on the Mountain South of the Capital From Cantonese Richard Tsang All for Love Lau Chun-wah arr. Leung Chi-hin In Praise of Teachers Directors: Dr Paulina Wong & Dr Allison So Performers: Chi Hoi Wu, Ka Yan Ann Chan, Kin Heng Lam, Ching Kai Yuen, Tin Yui Ho, Hoi Lam Ng, Hok Chung Li, Man Hin Cheung, Tsz Ho Wong, Hiu Ching Mak, Yat Chun Mannix Chan, Chun Wai Lee, Rowena Suet King Yan, Yi Yan Chen, Wan Yi Chu, Ho Ming Ting Ho, Yuen Ting Nicole Mo, Ying Wai Wincy Lau, Chen Xi Chen, Kar Kiu Carrie Lam and Suet Ngan Shum

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32nd ISME World Conference on Music Education

tuesday 26th July 1930-2130

Main Auditorium, Glasgow Royal Concert Hall

heaDline ConCert palestine Youth orchestra (palestine) The Palestine Youth Orchestra was established in 2004 by the Edward Said National Conservatory of Music, with the vision of bringing together young Palestinian musicians from around the world as one ensemble. Over its first decade, the PYO has performed throughout the Middle East and Europe. It has recently appeared at festivals such as Ravello, Florence, Beiteddine and Aix-en-Provence and performed at venues such as the Teatro San Carlo (Genoa), CRR Paris, Megaron Mousikis (Athens) and the Grand-Théâtre de Provence. It has recently worked with conductors such as Sian Edwards, Nicolas Simon and Tom Hammond and appeared with soloists including Marcel Khalife, Dima Bawab, Reem Talhami, Mariam Tamari, Mayas Al Yamani, Mohamed Najem, Saleem Aboud-Ashkar and many others. About the Programme: In 2013 the Palestine Strings performed at the Proms to a sell-out audience and unanimous acclaim in the British press. Now its sister ensemble the Palestine Youth Orchestra brings a musical programme featuring Arabic songs from Egypt and Lebanon alongside contemporary British music, Beethoven and Mussorgsky’s much loved musical interpretation of an art gallery. Young musicians and soloists from Palestine are joined by students from the Royal Conservatoire of Scotland, Royal Welsh College of Music and Drama and Guildhall School of Music and Drama conducted by British conductor Sian Edwards and joined by the young Palestinian vocalist Nai Barghouti. Equally at home with Western and Arabic repertoire, the PYO maintains a unique position amongst youth orchestras internationally. Official coaching partner: Oslo Philharmonic Principal partner in the UK: Royal Conservatoire of Scotland With the cooperation of: Royal Welsh College of Music and Drama and Guildhall School of Music and Drama Repertoire: Beethoven Graham Fitkin Zakaria Ahmad Rahbani Brothers Rahbani Brothers Interval Mussorgsky (orch. Ravel)

Overture, Leonore No. 3 Metal Biridak ya Khaliki Ahtirafu al huzna wal intizar Roudani illa Biladi Pictures at An Exhibition

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Conductor: Sian Edwards Performers: Nai Barghouti, Lydia Abbas, Nardin Ballan, Laila Abukhater, Deogracias López Garcia, Hikmat Qaymari, Charlotte Salter, Lourde Hadweh, Ayham Albess, Amira Isaac, Jamil Ajrab, Flavien Roger, Zeina Khoury*, Rhiannon Carmichael, Lynn Henderson, Hiba Tahhan, Nisreen Tahhan, Sireen Tahan, Basil Mari, Sani Paul Meo, Sari Tarazi, Raslan Ashour, Richard Leonard, Ramiz Abuaita, Yassar Abdalrasoul, Midhat Husseini, Hebatallaa Mohamed, Hisham Alhadrab, Matthew Frost, Hussam Barham, Accad Alsaed, Layth Mohammed Sidiq, Mostafa Saad, Ahmad Ashraf, Erik Vardanyan, Gandhi Saad, Badee Alhindi, Ribal Srour, Amin Keshmiri, Yanal Khoury, Sama Tarazi, Lamar Elias, Rob Taylor, Serry Ezbidi, Ezzat Qupty, Samir Obadio, Lisa Robertson, Naseem Rimawi, Carol Ibrahim, Euan McLaughlin, Ibrahim Masri, Costa Mustaklem, Aleen Masoud, Dima Alhourani, Sofia Radwan, Ahmed Saddouq, Katrina Nahhas, Omar Saad, Wei Bun Chan, Layan Najem, Sophia Abass, Rashed Zarour, Thomas Kettle, Tala Khouri, Yousef Ali, Lana Abusubaih, Naseem Atrash, Tibah Saad, Soheil Canaan, Dana Abusubeih, Jude Amous, Rand Khoury, Mohammed Abdelmalek, Eman Abbasi, Jamila Ezbidi, Sulafa Hammad, Omar Obaid, Faten Abdelmalek, Fadwa Qamhia, Moray Jones and Eleni Mustaklem *orchestra manager

This concert is on sale to the general public. ISME delegates gain access to concerts by showing their delegate badge, no ticket is required. 18

32nd ISME World Conference on Music Education

tuesday 26th July 1300-1330

Strathclyde Suite, Glasgow Royal Concert Hall

Dalcroze a Cappella (uniteD KingDom) The nucleus of the group was formed at a Dalcroze UK Summer School last August when the graphic score opening of ‘The Flight of Song’ was taken as a starting point for a music and movement workshop. This culminated in a performance of the piece in the presence of the composer, Howard Skempton, who was delighted with the innovative approach taken to his piece. All the members are trained in Dalcroze Eurhythmics and bring with them an interest in exploring repertoire through movement and vocal improvisation. This piece is a perfect gift for us! Repertoire: Skempton’s “The Flight of Song” for SATB chorus is a setting of a compilation of imaginative, simple, expressive poetry in four short movements. The music illuminates the text by adopting its natural rhythms and the harmonic simplicity of the outer movement creates a sense of transparency, in contrast to the inner two movements, which are of a more chromatic nature. The work opens with a free poetic collage, improvised from a graphic score. Performers: Rebecca Spencer, Kaye Barker, Victoria Conlan, Myrtle Bruce-Mitford, Bethan Habron-James, Lis Dooner, Bruce Rafeek, John Habron and David Buley

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tuesday 26th July 1200-1230

City of Music Studio, Glasgow Royal Concert Hall

fèis fhoirt Cèilidh trail Band (sCotlanD, uK) The Ceilidh Trail is a professional development opportunity for outstanding young musicians who are considering a performance career in music. These young musicians have been successful at audition, have taken part in an intensive rehearsal week and they are now touring across Scotland for four weeks throughout the summer. With their beautifully crafted songs and driving tune sets, they promise you an entertaining performance of both traditional and contemporary folk music. Website: www.feisfhoirt.org.uk Repertoire: A selection of reels, jigs, strathspeys and contemporary tunes interspersed with Gaelic songs and Scots ballads. Performers: Andrew Herrington, Selina Ross, Orla Stevens, Rhona Stevens, Evie Waddell and Fergus Walker

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32nd ISME World Conference on Music Education

tuesday 26th July 1230-1300

City of Music Studio, Glasgow Royal Concert Hall

Doug Johnson (uniteD states) Doug Johnson is Associate Professor of Piano at the Berklee College of Music. As a pianist, Doug has performed throughout Europe and the US at major venues and Jazz Festivals, including Ronnie Scott’s in London, Porgy and Bess in Vienna and Birdland in New York City. As an educator and expert in the area of Musician’s Health, Doug has presented at major conferences including multiple PAMA (Performing Arts Medicine Association) conferences. Recently Doug has been in residence teaching at the University of Graz, Austria; the University of Brasilia, Brazil and has also taught intensive courses in Sao Paulo, Brazil. Doug is the recipient of the 2015 Berklee College, Newbury Comics Faculty Fellowship Grant. This award is being used to carry out biomechanical research to help understand the causes of musician’s injuries. Repertoire: Claude Debussy Thelonious Monk Duke Ellington Victor Young Pixinguinha Doug Johnson

Reflet dans l’eau Pannonica All Too Soon Stella by Starlight Vou Vivendo Para Cesar

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tuesday 26th July 1315-1345

City of Music Studio, Glasgow Royal Concert Hall

håkan rydin trio (sWeDen/sCotlanD, uK) Håkan Rydin was a member of the Swedish legendary group NEXUS, which performed during 20 years more than 1000 concerts. After Nexus he began his longtime collaboration with American singer Kim Parker (daughter of Charlie Parker) and they toured all over the world. Later he started the Håkan Rydin Scandinavian Trio. In great demand as a pianist, he has performed with Thad Jones, Pepper Adams, Red Mitchell, Etta Cameron, Enrico Rava, Tim Hagans, Georgie Fame and David Liebman. He has performed in more than 20 countries, his style described as “lyrical and cooking”. Håkan Rydin is Professor of Jazz Piano at the Malmö Academy of Music (Lund University). Repertoire: A Swedish Scottish Meeting in Jazz. Performers: Håkan Rydin, Jay Kilbride and Chris Whitehouse

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32nd ISME World Conference on Music Education

tuesday 26th July 1240-1310

Stevenson Concert Hall, Royal Conservatoire of Scotland

equilibrium (Drake music scotland) (sCotlanD, uK) Equilibrium is a Drake Music Scotland ensemble performing music that identifies with traditional music, combining and balancing acoustic instruments with music technology, discovering new ways of responding to the history, tales and landscape of Scotland. This enables musicians with disabilities to take an equal part in the composition and performance of new music. The ensemble performs its own original material and arrangements on Digital Harp (laptop), Acoustic Harp, Fiddle, Viola, Recorders, Voice and iPad (Thumbjam). They frequently work with guest musicians and collaborators and have recently performed at Celtic Connections and the Edinburgh Fringe Festival. Repertoire: Amy Moar

Rhona Smith Amy Moar Amy Moar & Rhona Smith Karen Marshalsay Eilidh Steel Clare Johnston James Scott Skinner arr. Equilibrium

Young Mary Suite Banquet The Hunt The Dance Loch Leven – “Farewell to France” Harpoi Flowing Stream & Water Wheel 27:7 (an Improvisation) Ghosts and Fragments Camasunary The Castle Suite Hector the Hero

Performers: Peter Sparkes, Rick Bamford, Emma Clark, Clare Johnston, Karen Marshalsay, Rhona Smith and Eilidh Steel

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tuesday 26th July 1320-1350

Stevenson Concert Hall, Royal Conservatoire of Scotland

resonaarigroup (finlanD) Resonaarigroup, consists of musician students defined as disabled people. These six musicians practice and perform as a group; four of them work as freelance musicians at the moment and two of them are hired permanently by Special Music Centre Resonaari as musicians, co-teachers and trainers. Resonaarigroup is taking the stage as artists on a par with others. This positive ongoing change in cultural life is not only affecting the definition of disability and attitudes; it is also changing the concept of the musician and making the whole cultural field more democratic. www.resonaari.fi Repertoire: A variety of rock and pop songs. Performers: Jaakko Lahtinen, Marlo Paumo, Tomi Lehtimaa, Juho Lähteenmäki and Joonas Palkeinen

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32nd ISME World Conference on Music Education

tuesday 26th July 2000-2030

Stevenson Concert Hall, Royal Conservatoire of Scotland

the fridays (sCotlanD, uK) The Fridays are part of the charity musicALL based at Hazelwood School, Glasgow. musicALL aims to increase access to high quality music opportunities for people who require additional support for learning, and works to ensure that those involved experience the exhilaration and excitement of learning instruments, belonging to bands and performing in public should they wish to. The Fridays, made up of pupils, ex pupils, tutors and volunteers, offers a platform to showcase ability and celebrate talent! In tonight’s feel good and upbeat concert delegates will be treated to a wonderful mix of old classics and up-to-date favourites with exciting rhythms thrown in that will have you dancing in your seats! Proposed Repertoire: Wipeout Hey ya / Happy Get Lucky It’s Friday I’m In Love Hey Jude Spirit in The Sky / Hi Ho Silver Lining Performers: Matthew Murray, Adam Hiddleston, Emma Brown, Monica McNamee, Shannon Feeney, Aiden Kennedy, Beth Black, Richard Cairney, Ryan Hughes, Joni Lindsay, Gabor May, Scott McKay, Dorothy Church and Julie McKenzie

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tuesday 26th July 1245-1315

AGOS Studio, Royal Conservatoire of Scotland

Dulcemelos Duet (mexiCo) The Dulcemelos Duet consists of Alejandra Barrientos and Héctor Larios who play respectively the psaltery and piano. They have dedicated themselves to preserving the traditional Mexican music and works written specifically for the psaltery. Their purpose is to promote through didactic and chamber concerts, the study of the psaltery especially amongst the children. They have recorded fifteen compact discs, organized three national and international festivals and travelled extensively throughout the Mexican Republic, the United States and much of Europe. Hector and Alexandra are qualified music educators who studied in the UAQ (Universidad Autónoma de Querétaro). They have worked in the early music stimulation field with children from 2 months old to 7 years old, and then gone on to educate adolescents. Their ultimate purpose is to develop the whole individual. For three eight years they have been and are conducting the university radio program “Que viva el Salterio” (Long Life to the Psaltery) and Music Education. Repertoire: Marta García Renart SzelényI István Dominio Popular. S. XVII Horacio Rico Anónimo del s. XVIII. D.P (Son Veracruzano)

Danza a la Huasteca Twenty Children Pieces Four Hands La Bamba Suite para Salterio y Piano La Botella Zapateado Veracruzano

Performers: Martín Alejandro Larios, Héctor Emanuel Larios, Alejandra Barrientos and Héctor Larios

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32nd ISME World Conference on Music Education

tuesday 26th July 1315-1345

AGOS Studio, Royal Conservatoire of Scotland

australia east and West (australia) Australia East and West is a project of 10 newly composed Australian compositions for viola and piano, most of them composer by women composers. Seven works have been performed, five recorded for a commercial CD, plus three lecture-recitals given in four Australian cities. The lectures focus on issues emerging from the rehearsal, performing and recording process through a practice-led research paradigm. The viola remains the ‘Cinderella’ of the string family, and this project is resulting in new works for the growing number of Australian violists as well as providing important new repertoire for violists overseas. This fosters national and international interest in Australian contemporary classical music. Repertoire: Clare Maclean In the Sea Paths ‘In the sea paths’ is a phrase from the Anglo-Saxon poem, the Seafarer. The poem’s imagery of sea paths as paths of life resonates with symbolism of the sea as the soul or the subconscious in literature and mythology. In this piece melodic paths begin in a fragmentary way and emerge more completely as the piece progresses, with the coming and going of motivic eddies. Cat Hope The Sinister Glamour of Modernity (after Ross Gibson) This piece for piano and viola, dedicated to Dawn Bennett, explores ways of tracing memory. Can the things that happen in a place or time be somehow recoded or remember if there is no ‘physical’ evidence of them? Using the performers’ musical ears to identify and trace each other’s pitch and dynamic choices, this work uses the concept of the sustained note as a possible memory etch. Diana Blom Waltzing with Elling Waltzing with Elling is a tribute to American jazz singer Kurt Elling and jazz bass player Rob Amster. The waltz seeks to capture some of the characteristics of ‘The Waking’, a song for voice and double bass from the CD Nightmoves (2007), which sets a poem by American poet Theodore Roethke. Waltzing with Elling is dedicated to Emily Bennett who admires Elling’s jazz singing and the playing of his group – as do I and viola player, Dawn Bennett. Performers: Dawn Bennett and Diana Blom

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tuesday 26th July 1900-1930

AGOS Studio, Royal Conservatoire of Scotland

Kimihiro Yasaka (CanaDa) A native of Japan, Kimihiro Yasaka is a pianist/educator/recording artist. Currently, he lives in Canada as an immigrant artist. He holds a Master’s degree in Piano Solo Performance under the supervision of Professor Kyoko Hashimoto from McGill University. Mr Yasaka has performed in Japan, Canada, United States and Italy. Mr Yasaka is a devoted performer of new music and has done several world premiers. His first solo piano album “Images du Japon” was released in Japan with Nippon Acoustic Records on 15 January 2014. For more information please visit at www.kimihiroyasaka.com Repertoire: Takashi Yoshimatsu Ryo Dainobu Toru Takemitsu Katsuhiro Oguri

Pleiades Dances Syurinsyô Rain Tree Sketch II ‘In Memoriam Olivier Messiaen’ Scenes Coloured by Water Suite for Piano, Book Ⅱ In memoriam of victims of Great East Japan Earthquake (excerpts)

Performer: Kimihiro Yasaka

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32nd ISME World Conference on Music Education

tuesday 26th July 1930-2000

AGOS Studio, Royal Conservatoire of Scotland

Young talents of university of Costa rica (Costa riCa) Edwin Marin, director of the group. Pianist and chair professor at the School of Musical Arts at the University of Costa Rica. He studied in Moscow, Paris and Germany, participated in numerous concerts and festivals. His students have won numerous international competitions, standing out for its high level of virtuosity at a young age. Young Valeria Gamboa and David Saravia are two outstanding students of the School of Musical Arts. They have won several competitions, recitals of honor of the University and have been soloists with Orchestras. They have also performed concert tours in Central and South America. Repertoire: Alberto Ginastera Benjamín Gutiérrez Sergei Rachmaninoff Alberto Ginastera Alberto Ginastera Sergei Rachmaninoff Aldo Lopez Gavilán

Suite de danzas criollas, Op. 15 (Suite of Creole dances) Toccata Études-Tableaux No. 9 in D, Op. 39 Milonga, Op.3 Danzas Argentinas Op.2 Études-Tableaux No. 6 in a minor, Op. 39 Pan con Timba

Group Director: Edwin Marin Performers: Valeria Gamboa Tencio and David Saravia Bolivar

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tuesday 26th July 1200-1230

The National Piping Centre

music generation ensemble (irelanD) Music Generation Ireland supported by U2 and The Ireland Funds presents a vibrant programme crossing genres of Irish traditional music, rock, pop, classical, jazz and live improvisation. These versatile musicians from counties Sligo and Donegal demonstrate Music Generation’s belief in the musical potential and innate artistry of every child and young person. As Ireland’s National Music Education Programme, Music Generation puts children and young people at the heart of its work, transforming lives through access to highquality performance music education. Initiated by Music Network, the programme is co-funded by U2, The Ireland Funds, the Department of Education and Skills and Local Music Education Partnerships. Repertoire: A lively programme of original music and group improvisation showcasing the creativity, diversity and breadth of interests of these Music Generation Young Ambassadors. Performers: Lughan Devenny, Ella Doherty, Catherine Gallagher, Michelle Gallagher, Tom Gavin, Síofra Hanley, Jennifer Kilcoyne, Amy Meehan, Evan McGinty, Gráinne Mulligan, Elliot Murphy, Liam Needham, Cale O’Donnell and Alice Purcell

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32nd ISME World Conference on Music Education

tuesday 26th July 1930-2000

The National Piping Centre

Ceol oirghialla (irelanD) Comprising faculty, undergraduate and postgraduate students drawn from the DkIT community, the Ceol Oirghialla Traditional Music Ensemble embraces and presents the rich musical traditions of the Oriel region of Ireland in performances for global audiences. The study of traditional music is an integral component of both our undergraduate and postgraduate music programmes at DkIT and a particular emphasis is placed on performance. Over the past two years, the Ensemble has toured to North and South America, including performances at ISME 2014. Performing groups from DkIT also broadcast as part of the CIRCOM European Broadcasting Awards hosted by RTÉ in 2015. Repertoire: Includes a variety of Irish traditional music, song and dance that draws upon the rich traditions of the Oriel region and the Easter Rising of 1916 which is being commemorated this year. Performers: Adèle Commins, Daithí Kearney, Maurice Mullen, Conor Bogue, Brianna Madden Button, Darragh Brannigan, Jane Meehan, Michael Waters, Ciara Brannigan and Martha Guiney

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Wednesday 27th July 1230-1300

Main Auditorium, Glasgow Royal Concert Hall

teachers Choir of Chaoyang District, Beijing (China) Teachers Choir of Chaoyang District, Beijing is a female choir, founded in 2007. All members are art teachers from primary and middle schools in Chaoyang District, Beijing, who have great love for chorus. They participated in many international competitions and cultural exchange activities and have successfully held concerts in China. They have soft singing voice, delicate style of performance, particularly performing Chinese folk style choral works. Repertoire: Sisters on the yard Wei Salo Bodhisattva pretty 3D Jasmine Send me a rose Namsto Performers: Lei Li, Jia Zhou, Fieifei Li, Guangyue Wang, Dongchen Zhao, Hanping Wang, Zheng Yang, Shanshan Wang, Yayan Ji, Xue Han, Kun Liao, Huning Zhang, Na Li, Fengwei Bai, Xiaomin Fu, Yilin Wang, Wang Li, Ping Ji, Guangyu Ma, Yue Ding, Yanming Yuan, Shuo Zhao, Ye Jiao, Hui Wang, Jing Li, Yanhui Shi, Chenxing Zang, Dehui Li, Qian Yan, Yajie Zhang, Lin Zhang and Lingdi Zheng

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32nd ISME World Conference on Music Education

Wednesday 27th July 1300-1330

Main Auditorium, Glasgow Royal Concert Hall

hwaseong City Boys & girls Choir (south Korea) Hwaseong City Boys & Girls Choir was established in 2004 as a cultural delegation delivering the value of love for mankind to the whole world. With a membership of 90 members aged 12 years old, the choir holds about 20 regional concerts every year. The choir visited Kenya and set up a sisterhood relationship with Jirani Children’s Choir organized by Slum Children of Kenya, Africa 2011. During the visit they fulfilled love for mankind through concerts. They have also had a successful exchange performances with Nagoya Children Art Company (2012) and Korean Boys & Girls Choir of Beijing (2015). They have appeared in various concerts such as the Nanpa Memorial concert and the Country Love concert. The project has extended to 3 regional-choirs (Dongtan, Hyangnam, Namyang in Korea) and contributed to the development of regional choir culture. The choir communicates with the world by the regional society through the various stages such as children’s song, folk song, art song, religious song, and various stages that Korean traditional culture of ancient dance and Nanta were succeeded and developed. Seong-moon Shin, with his unique interpersonal skills and warm personality, is a conductor best suited for the role, where he can discover and create the beauty of the voices of the boys and girls choir. He graduated from Hyupsung University, majoring in vocal performance, and went on to study conducting at Westminster University and Yale University in the US and Kodaly Institute in Hungary. He is currently studying conducting for master’s degree at Hyupsung University. To Mr Shin, communication is the mechanism that allows one person to face another one as human being. He builds his musical foundation with relationships and challenges new and creative ideas without fear. He led Jirani Children’s Choir in Kenya, Africa. He is the conductor who demonstrates true values of choir music based on extensive experiences. Repertoire: Bob Chilcott Korean Traditional Theme Arr. Eun-a Jo Heejo Kim Arr. Hyowon Woo Arr. Eun-a Jo Arr. Eun-a Jo Mogun Goo

The Singing Heart 비손 (Beason Baraji) 추천가 (Chu-cheon-ga with fan dance) 아리랑 (Arirang) 꼭두각시 (Wedding Day) 강강술래 (Ganggangsullae) We Go Together

Leaders: Hongky Cho, Seongmoon Shin, Joo Hyun Park and Eunjoo Kim 32nd ISME World Conference on Music Education

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Performers: Sangjun Kim, Seoyeong Kim, Yunah Kim, Gayeon Noh, Jihwan Bak, Haram Baek, Dahye Yun, Hyein Yun, Kippeum Lee, Seungyeon Lee, Seoungteoun Jo, Seowon Choi, Jieun Kim, Kihoon Song, Hyunjeong Lee, Jinyoung Cha, Minyoung Choi, Taeeun Kim, Hanul Kim, Hayeon Park, Yehyun Ahn, Seungyeon Woo, Jiyoung Yoon, Geonhee Lee, Seongyoon Lee, Eunhye Lee, Yunhee Jeong, Hyunjin Jung, Kippeum Choi, Seohyun Hong, Yunseo Hwang, Haram Yoon, Gyuseop Lee, Seoyeon Lim, Junwoo Choi, Seongmoon Shin, Joo Hyun Park, Dayeon Yun, Eunjoo Kim, Min Gyeong Oh, Yewo Choi and Hongky Cho

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32nd ISME World Conference on Music Education

Wednesday 27th July 1330-1400

Main Auditorium, Glasgow Royal Concert Hall

Crecer Cantando Crecer soñando (spain) Crecer Cantando, Crecer Soñando is a musical project in which four different Spanish schools contribute with their own choir to make a big one. Its schools are located in different cities and are ruled by different educational regimes: a private music school, two secondary schools and a conservatoire. The singers range from ten to eighteen years old, while the musicians and the production team are long-time professionals. Currently we have approx. 150 members, including singers, musicians, producers and sound technicians. Crecer Cantando is like a big puzzle where everybody works independently, but coordinated around an artistic project and encouraged thanks to a common dream. Repertoire: We present an extract of our show “Dos Mundos”, a concert with songs composed especially for it. The texts are written by Carmen Gil, Andalusian poet and the music is written by Javier Campaña, composer and Professor of the Project, Crecer Cantando. “We do not want to give up our dreams and we need to sing to the Europe we dream, the Europe of people. We need a change, a new paradigm that places women and men of the continent in the epicenter, that turns competitiveness into cooperation, individualism into mutual support, injustice into equality; in short, to make effective the values of democracy. Every change involves a movement and we aim for the commitment and teamwork”. The songs are composed from the meaning of the poems, exploring various compositional styles and playing with different moods and energies. Performers: Elena Abreu Fernández, Natalia Acosta Sierra, Arcadia Aguilar Lineros, Laura Antonio Valverde, Leo Aranda Duffy, Fernando Aroca Aguilar, María Victoria Arroyo Caballero, Sofia Bellido Ruiz, Susana Bellido Ruiz, Violeta Blanco Muñoz, Andrea Blaya Gutiérrez, Mario Bollo Sanchez, Candela Camacho Villarejo, Bianca Cárdenas, Carmen Castilla Fernández, Olga Rocio Castro Romero, Pablo Colmenero Capote, Laura Corbacho, Ana Cubero Flores, Ana Cuevas Lopez, Maria Del Bosch Marin, Dolores Del Bosch Marin, Violeta Del Río Romero, Rodrigo Delgado Gonzalez, Carmen Delgado Rueda, Carmen Duarte Tello, Mónica Minqiu Enrique García, Angelines Espuny Contreras, Mercedes Estrada González, Jose Fernandez Dominguez, Pablo Fernandez Rios, Silvia Fijo De Lemus, Santiago Fijo De Lemus, Manuel Franco Santos, Macarena Gallardo Gallardo, Lucía Galvao González, Abril García De Los Reyes, Andrea Garcia Gonzalez, 32nd ISME World Conference on Music Education

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Alberto Garcia Luque, Jesus Garcia Luque, Alejandro García Martín, Jose Antonio García Navarro, Alicia García Sancho, Mario Garrido Tinajero, Cristina Garzon Marquez, Carmen Gavilán Matías, Paula Gil García, Sergio González Barbosa, Cristina Gonzalez Duarte, Maite González Ligero, Mercedes Gordo Pablos, Laura Hernández Rocha, Carmen Hernández Rodríguez, Antonio Hernández Rodríguez, Rocio Herrera Jimenez, Ángela Herrera Pachón, Sara Hidalgo Pérez, Edith Lafond, Julián Lahoz Rodíguez, Elisa Lanzas Hernández, Nerea Larios García, Karen Larios García, Marina León Cabello, Mencía Lobo Wordsworth, María López Enríquez, Andrea López Majarón, Noelia López Morales, Loreto Lopez Oña, Laura López Siles, Isabel Luján De Celis, Bárbara Luque Martínez, Paula Mandesi García, Lucia Marin Fernandez, Gema Marquez Serrano, Juan Carlos Marquez Serrano, Ariadna Martín Fernández, Daniel Martín García, Gloria Martin Muñoz, Pablo Martinez García, José Vicente Martínez Osorio, Esperanza Mora Morillo, Javier Mota García, Pilar Nobajas Gonzalez De Canales, Pedro J. Olivares Navarro, Arturo Ortega Flores, Blanca Pacheco Furest, Pablo Palacio Ávila, Laura Peinado Cormenzana, Carlos Pena González, Maria Perales Bayon, Jesus Pérez Gomez, Jesús Pérez Moreno, Sara Pérez Moreno, María Pérez Rodríguez, Juan Carlos Pérez Rodríguez, Blanca Perez Soldado, Carmen Perez-Gallardo Olavarria, Antonio Prados De Soto, Ester Puerto Olivero, Beatriz Quiles Priego, Celia Ramos Rodriguez, Elvira Reca Cortés, Carmen Redondo Vázquez, Ana Requena Eslava, Blanca Reyes Martinez, Esuya – Suakal Rodiger Hurtado, Ana Rodriguez Bermudez, Javier Rodríguez Bonilla, Julia Rodríguez Cardeñosa, Manuel Rodríguez Cardeñosa, Azahara Rodríguez Romero De La Osa, Sara Rodríguez Sánchez, Borja Rodríguez Sánchez, Teresa Rodriguez Tamayo, Salma Romero Correa, Aina Rosa Romero Correa, Elena Romero Vargas, Antonio Manuel Rosendo Alonso, Juan José Rosendo Alonso, Jara Rúa Sánchez, José Manuel Rubio Vázquez, Paula Salvatierra Parreño, Diego Sánchez Benitez, Nika Santos Calderón, Belén Silva Gordillo, Juan Antonio Silva Ortega, Lucía Solano López, Carmen Solano López, Carmen Sousa Fernández, Natalio Suárez García, Néstor Suárez García, Laura Terroba Martin, Alfonso Tienda Contreras, Carlos Tienda Limones, Francisco Trujillo Aguilar, Lua Vazquez Romero, Cristian Villar Martínez, María Fuxin Zaldúa Mayor, Ana Zamora Ortiz, Aurora Zamora Perez, Antonio Temprano Sánchez, Luis Dueñas Brocal, Pablo Ramírez Faura and Javier Campaña Hervás

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32nd ISME World Conference on Music Education

Wednesday 27th July 1830-1930

Main Auditorium, Glasgow Royal Concert Hall

heaDline ConCert national Youth orchestra of scotland (nYos) (sCotlanD, uK) Now in its fourth season, the National Youth Orchestras of Scotland Senior Orchestra is for musicians aged 13 and over. It has become the established second stage orchestra on the classical pathway for aspiring members of NYOS Symphony Orchestra and a critically acclaimed performing ensemble in its own right. This year we explore dance in orchestral form: Wagner’s Dance of the Apprentices seems pleasantly appropriate, while the passions of Bernstein’s modern-day Romeo and Juliet form the core of our summer work, alongside a new work from Oliver Searle, arranged specially for the Orchestra. After a great success with Glazunov two years ago, we perform the ballet music to Raymonda and pay tribute to Tchaikovsky, surely one of the finest of all ballet composers. Repertoire: Richard Wagner John Maxwell Geddes John Adams Alexander Glazunov

Three Dances from Die Meistersinger von Nürnberg Strathclyde Dances The Chairman Dances Raymonda Ballet Suite

Conductor: James Lowe Orchestra: Sophie Williams, Lisa Abraham, Emma Baird, Sophie Curren, Ken Fairbrother, Matthew Farren, Matthew Guy Henderson, Zoe Hodi, Amy Hutchison, Chrissie Johnson, Chun-Wei Kang, Molly McGregor, Iona Quilter, Lucrezia Nina, Schmid-Kempter, Eleanor Scott, Florence Sharkey, Luke Barjoti, Sophie Boyd, Martha Cole, Paul Ersfeld, Chloe Ghiro, Mark Green, Ivan Ma, Anna J Mackenzie, Catriona M Mackenzie, David McDonald, Lara J Polson, Sara Qureshi, Rebecca Steven, Rachel Whitelaw, Jodie Cameron, Sophie Carroll, Gordon Cronshaw, Nico Ersfeld, Elsie Haldane, Gavin Marnoch, Jamie Turnbull, Lorna Doyle, Verity MacInnes, Emily Mander, Finn Mannion, Sarah Newman, David Shanks, Christopher Summers, Matthew Terras, Emily Addis, Cameron W Duff, Callum McCluskey, Joseph Standley, Rebecca Coffey, Laura Macfarlane, Christopher Michie, Nicola Stevenson, Stephanie Kozlowski, Lewis Sinclair, Christopher Smith, Christopher Vettraino, Eve Burgoyne, Iain Clarke, Alice Gowenlock, Iona Jackson, Amy Laurenson, Emma Macrae, 32nd ISME World Conference on Music Education

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Douglas McDonald, David CW Loh, Carly McCready, Peter McNeill, Rachel Naylor, Simon Archer, Calum Blair, Juliette Murphy, Euan Scott, Anthony Connolly, Dylan Findlay, Anthony Hook, Micah Scott, Kieran Smith, Joshua Dunbar, Eden Mikula, Michael O’Rourke, Max Rodney, Fraser Sharp, Adam Stanley, Abigail Millar Todd and Catriona M Mackenzie

This concert is on sale to the general public. ISME delegates gain access to concerts by showing their delegate badge, no ticket is required. 38

32nd ISME World Conference on Music Education

Wednesday 27th July Main Auditorium, Glasgow Royal Concert Hall

heaDline pop ConCerts 2130-2200

the iCmp summer Collaboration (uniteD KingDom) This ten-day intensive in London takes place at the Institute of Contemporary Music Performance and is led by Richard Smith, a visiting Professor from the University of Southern California, Los Angeles. There are projects and activities for a wide range of students – particularly popular music instrumental and vocal performance, education, recording, production, culture and music industry – as well as for classically trained students who want to learn about and perform popular styles, band leading and “classical crossover” music. The course can count as an elective at both the undergraduate and graduate levels. We have had undergraduate, masters and doctoral students participate over the years that this collaboration has been running. Repertoire: Songs are all written in collaboration during the week, so will be announced from the stage. Performers: Billy Padmore, Julia Mclane, Jay Washington, Anna Delaria, Carlo Salaris, Laura Granderath and Jack Pearson

2200-2230

usC thornton popular music ensemble (uniteD states) This performance will feature three artist/songwriters and rhythm section from the Popular Music Program at the USC Thornton School of Music in Los Angeles, California. The program is in its sixth year and has been hailed by Rolling Stone magazine as “the cutting-edge department that’s become the site of Los Angeles’ most productive new music scene”. During their junior and senior years, students in the program are active writing, arranging, performing, producing and recording original music. This ensemble, which will perform original music in a variety of popular music styles, highlights the creative and collaborative nature of the student’s experience at Thornton. Repertoire: The ensemble will perform original music in a variety of popular music styles. Performers: Katie Stump, Austin Smith, Gigi Grombacher, Michael Arrom, Keri Prather, Andrew Hill and Hayden Day These concerts are on sale to the general public. ISME delegates gain access to concerts by showing their delegate badge, no ticket is required. 32nd ISME World Conference on Music Education

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Wednesday 27th July 1200-1240

City of Music Studio, Glasgow Royal Concert Hall

monika herzig acoustic project (uniteD states) The Monika Herzig Acoustic Project presents modern acoustic jazz blending award-winning original compositions with unique arrangements and storytelling. The program will feature selections from the recent release ‘The Whole World in Her Hands’. www.monikaherzig.com Repertoire: Original jazz compositions by Monika Herzig and Peter Kienle. Performers: Peter Kienle, Ann Patterson and Porter Chapman

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32nd ISME World Conference on Music Education

Wednesday 27th July 1320-1400

City of Music Studio, Glasgow Royal Concert Hall

the inevitables (uniteD states) Hailing from Caleb Chapman’s Soundhouse in Salt Lake City, Utah, USA, The Inevitables fuse an eclectic mix of gypsy jazz, klezmer, swing, zydeco, Delta blues, alternative, and pop to create a sound that is as mesmerizing as it is unique. Under the direction of Evan Wharton, in the few short years of the band’s existence, the band has already won multiple awards from DownBeat Magazine. Their debut full length album, “Jackpot” will be released in fall of 2016 on the Big Swing Face record label. Repertoire: James Mathus arr. Evan Wharton Stefani Germanotta, Nadir Khayat arr. Scott Bradley Lana Del Rey, Rick Nowels arr. Scott Bradley James Mathus arr. Evan Wharton Buckwheat Zydeco arr. Evan Wharton Ben Folds arr. Evan Wharton Axel Hefors, Steve Angello, Sebastian Ingrosso, John Lindstrom, Michel Zitron arr. Scott Bradley Meghan Trainor, Kevin Kadish arr. Scott Bradley arranged by Scott Bradley Tom Maxwell arr. Evan Wharton

Lover’s Lane Bad Romance Young and Beautiful Baby Wants a Diamond Ring Jackpot Steven’s Last Night in Town Don’t You Worry Child All About That Bass Hell

Performers: Harper McGee, Jocie Buswell, Brian Dong, Zane Peterson, Joseph Wride, Taylor Berrett, Jared Ramos, Nick Dillman, Matthew Asay, Makenzie Liamatta, Ryan Mitchell, Joe Dinger and Samuel Marston

32nd ISME World Conference on Music Education

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Wednesday 27th July 1200-1230

Stevenson Concert Hall, Royal Conservatoire of Scotland

the orchestra of unlimited potential (englanD, uK) The Orchestra of Unlimited Potential (UP!) is one of the UK’s first ever county youth orchestras set up specifically for young musicians with special educational needs and disabilities. Within its first year UP! has had many achievements, including a ground breaking performance at the Royal Albert Hall in May 2015, and an international collaboration and performance at a national music education conference in London, June 2015. UP! is delighted to be showcasing a brand new piece of original music at the ISME World Conference 2016 as well as incorporating a short workshop/demonstration into their performance to give delegates an insight into the approaches that have made the project such a success. Repertoire: The Orchestra of Unlimited Potential (UP!) will be performing an original piece of music and that has been devised by the young musicians with support from a team of specialist music tutors led by a creative director. The music is inspired by the Rio 2016 Olympic and Paralympic Games and will incorporate a vibrant mix percussion, brass instruments, singing and electronics. Leaders: Jim Pinchen, Paula Camp, Sue Barnard, Charlie Gardner, Laura Callaghan Grooms, Russ Callaghan Grooms, Charlotte White, Craig Warnock and Daniel Paige Performers: Katie Adair, Tunmise Ajiboye, Oliver Bennion, Jack Church-Holmes, Dominic Ferris, John Hornegold, Theo Kalorkoti, Maria O’Connell, Matthew Patttison, David Pittard, Harry Pittard, Katie Price, Charlie Purdie, Aiden Richmond, Alex Southwood, Hollie West, Jude Barnfield, Mary Crawley, Donny Curtis, Alina Davies, Kelton du Plessis, Sebastian Franklin, Kieran Garofalo-Dessent, Sam Hewett, Matthew Horton, Leo Long, Annabelle May, Isabella Oxnard, Chloe Phillips, Cameron Phillips, Carl Seldon, Parice Smith, Emma Stephen, Daniel Stevens and Louis Vass

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32nd ISME World Conference on Music Education

Wednesday 27th July 1900-1930

Stevenson Concert Hall Royal Conservatoire of Scotland

ifCKiDs Children’s Chorus/ifCC (China) IFCKIDS Children’s Chorus was founded in 2013 under the IFCKIDS platform. Lucy Luo, Founder of IFCKIDS, holds the baton herself to train the chorus. She has quickly built up a good repertoire with Chinese and western masterpieces, and the chorus had its debut after 8 rehearsals. In May 2014, the Chorus has been invited to join the IFC Chorus (SATB) & Orchestra in their Mozart Requiem concert to sing the “Street Boy Chorus” from Carmen with the symphony orchestra. In the summer of 2014, the Chorus visited the rural area in Guizhou Province and song with the tribe “Dong Singers”, the UN named Intangible Cultural Heritage. The Chorus was also invited by Landes Musik Akademie Hessen to visit Germany in Fall 2014. Its overseas debut gained a big success followed by 4 German newspaper coverage and one whole-page feature story by Chinese nation-wide leading media “Beijing Youth Daily”. In 2015-16 music season, the Chorus had joined the debut of Production Cantata by Xian Xinghai in China and performed with organist Yuan Shen at Forbidden Concert Hall at Christmas Eve Concert. Repertoire: Chinese Songs:

Childhood Memory Aria of the Fishing Moment

Western Children’s Songs:

The Machine Gun Street Boys Chorus from Carmen Auf Flugen Des Gesanges (On the Wing of the Song) Song of the Polowitz Girls

Contemporary Tunes:

Over The Rainbow Vois Sur Ton Chemin O Holy Night It Is A Small World

Performers: Ma Mingyue, Lu Xuezhou, Wang Xueqing, Yang Ivy Ziyi, Wang Zhiyun, Kui Ge, Qu Yi, Wen Xinrui, Lei Kaini, Tian Yuhan, Wu Zhuoen, Rao Hong Yu, Li Zhuoer, Ma Jiayi, Li Yuzhe, Zhang Hanzheng, Zhang Hanxi, Guan Zihan, Ye Zilyu, Hao Yuetong, Zhang Keyu, Yu Chenyan, Pluym Joannes Qian Yuejie, Tang Timothy, Liu Jintong, Huang Hairong and Yu Manxi

32nd ISME World Conference on Music Education

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Wednesday 27th July 2000-2030

Stevenson Concert Hall, Glasgow Royal Concert Hall

Vollgas Connected (germanY) The Music School Fürth’s unique Project in Germany “Berufung Musiker” (Profession Musician) where young people with intellectual disabilities have the chance of an apprenticeship as musicians has been tremendously successful. The band “Vollgas”, who participated in the first flight, has become one of the most wanted bands in Germany since its foundation in the Year 2009. Amongst other triumphs they rocked the Bavarian Parliament, the Bavarian State Chancellery, the Federal Congress of the Music Schools (VdM) and they even played for the German Parliament in Berlin. The very best of inclusion. “Vollgas” is none the less not a closed circuit band but plays with other groups of different types, whether it be pupils, teachers or other ensembles of the Music School professional musicians like the renowned group Quadro Nuevo. Since 2010 “Vollgas” plays regularly with the Music School ensemble “Flugs” under the name “Vollgas connected”. Joint working groups at weekends and during concert tours throughout the Federal Republic, normally accompanied by pupils of the Hallemann School – a school for special needs in Fürth – have helped the young scholars to become a collective which is second to none. They inspire each other, learning from and with each other. They cause during their performances, due to their musical capabilities and their very apparent joy of the music, the outbreak of high emotions and rapturous applause in the audience. The teaching methods as well as the teaching materials which have been developed in our school are looked upon as being ground breaking by many institutions for advanced education and universities in Germany, Austria and Switzerland. Repertoire: Freddie Perren, Dino Fekaris Bart Howard Stevie Wonder Jael Naim Gerry Beckley Jane Comerford Bobby Hebb Dick Dale Stevie Wonder Sam Cooke John Hurley, Ronnie Wilkins Tom Johnston 44

I will survive Fly me to the Moon I just called to say New Soul Sister Golden Hair No, no never Sunny Miserlou Sir Duke Wonderful World Son of a Preacher Man Long Train Running

32nd ISME World Conference on Music Education

Kimberley Rew Ray Charles

Walking on Sunshine Hit the Road Jack

Performers: Tobias Gehring, Matthias Noras, Stephan Schweidler, Tyrone Vickers, Lisa Dahlmann, Reimund Gerbl, Anna Dollinger, Madina Frey, Hanna Schmitzer, Livia Hofmann, Klara Andres, Emma Schmitzer, Vanessa Kaufmann, Hannah Essigkrug, Erik Zant, Andreas Wuttke, Moritz Beckedahl, Peter Söllner, Corinna Bühl, Markus Dollinger, Tanja Meier and Simon Schmitz

32nd ISME World Conference on Music Education

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Wednesday 27th July 1200-1230

AGOS Studio, Royal Conservatoire of Scotland

sa (仨) (singapore) Music may be time and culture specific but sound knows no limits. The trio of SA (仨) create their own soundscapes, exploring all possibilities not bound by time or culture. For SA (仨), their exploration of sound begins with each instrument and every original composition is a bold experiment that combines traditional elements with modern techniques, such as live looping. Spontaneous at every turn, each performance is a risk that the band takes as they delve into the question of identity. Founded in 2010, SA(仨), meaning “three” in northern Chinese dialect, is a tribute to their Chinese roots. Professionally trained in Shanghai, Hong Kong and Beijing, Andy Chia plays the dizi (flute), Natalie Alexandra plays the guzheng (zither) and Cheryl Ong plays drums and percussion. Repertoire: SA (仨) will peform a selection of original works. Performers: Andy Chia, Natalie Alexandra and Cheryl Ong

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32nd ISME World Conference on Music Education

Wednesday 27th July 1230-1300

AGOS Studio, Royal Conservatoire of Scotland

lancashire Youth Vocal ensemble (lYVe) (englanD, uK) A Quality Youth Vocal Ensemble singing contemporary popular music that features improvisation, rich harmonies, beats and grooves and is created though a collaborative process. The Ensemble grows from a series of inclusive vocal projects across Lancashire that attempt to allow ALL young people an opportunity to share their voices and progress. A More Music project for Lancashire Music Hub. Repertoire: Wanna be Starting something/Please don’t stop the music Where is the Same Love? Love is a rebellious bird/Carmen Superstition/Beat It Carwash/9to5 Musical Director: Emma Williams Beats: Ashley Murphy Performers: Ellie Cozens, Elsa Holm, Frey Turfkruyer, Molly Wilson, Keyra Cowx, Meg Cozens and Naomi Carr

32nd ISME World Conference on Music Education

47

Wednesday 27th July 1930-2000

AGOS Studio, Royal Conservatoire of Scotland

sonic Bothy ensemble (sCotlanD, uK) Sonic Bothy Ensemble is an award-winning inclusive, new music ensemble that explores, composes and performs experimental and contemporary music; a group of musicians, with and without additional support needs. We create original collaboratively composed free/fixed music for voice, harpsichord, harmonium, piano, strings, electronics, percussion. Influences span improvisation, aleatoricism, minimalism, contemporary, musicals, electroacoustic music. Recent performances/residencies across Scotland include Counterflows, GOMA, GIO Fest, Sound Festival, CCA & Glasgow City Halls. We were the first mixed ability group in residence at ‘Sound’ Festival, and were awarded the ‘Paritor award for new music in education’ in by the National Music Council, 2014. Repertoire: ‘8 Panes of Glass’ This piece was collaboratively composed and developed by all members of Sonic Bothy Ensemble in Autumn of 2014, and was first performed as part of Glasgow Music’s ‘Sound Lab Presents ... Sonic Bothy’ concert, September 2014. The piece explores a range of free improvisation and fixed elements, and relationships between voice, found materials and pitched materials. It was inspired by a window in our rehearsal room at Glasgow City Halls. Performers: Adam Green, Allan Wright, Andrew Robertson, Claire Docherty, Ellen Phllip, Nichola Scrutton and Una MacGlone

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32nd ISME World Conference on Music Education

thursday 28th July 1900-1945

Main Auditorium, Glasgow Royal Concert Hall

heaDline ConCert laurence Juber (uniteD states) GRAMMY winning guitarist Laurence Juber is a solo performer, recording artist, composer and arranger. His playing fuses folk, jazz, blues, pop and classical styles, creating a multi-faceted performance that belies the use of only one instrument. A music graduate of London’s Goldsmith’s College, he was featured guitar soloist with the National Youth Jazz Orchestra before becoming established as a studio musician in the mid-1970s. First internationally recognized as lead guitarist in Beatle Paul McCartney’s band Wings, Juber has since established himself as world-renowned guitar virtuoso and entertainer.

This concert is on sale to the general public. ISME delegates gain access to concerts by showing their delegate badge, no ticket is required. 32nd ISME World Conference on Music Education

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thursday 28th July Main Auditorium, Glasgow Royal Concert Hall

heaDline Jazz ConCerts 2000-2030

tommy smith Youth Jazz orchestra (sCotlanD, uK) The Tommy Smith Youth Jazz Orchestra is delighted to play for the ISME conference. Demonstrating endless talent, improvisational skills, exuberance and verve, the future for jazz in Scotland is assured as these gifted players, under the direction of Scotland’s most distinguished jazz musician, Tommy Smith play a repertoire ranging from Ellington, Basie, Mingus and Gillespie classics to present day big band charts by Fred Sturm and Florian Ross. Bring your family and friends to enjoy some wonderful jazz as they bring alive the music, paying tribute to some great jazz legends and playing with a collective maturity well beyond their years and featuring soloists of startling ambition and creativity. Performers: Helena Kay, Eve Boulos, Konrad Wiszniewski, Jack Schendel, Adam MacCloy, James Copus, Sean Gibbs, Cameron T Duncan, Christos Stylianides, Magnus Pickering, Phil O’Malley, Daniel Pickering, Kyle MacCorquodale, Kevin Garrity, Fergus McCreadie, Daniel Brown, Jack Cruttenden, Lauren Macdonald, Mark Hendry, Joe Williamson and John Patton

2040-2055

monika herzig with ann patterson 2115-2130

håkan rydin trio (sWeDen/sCotlanD, uK) Håkan Rydin was member of the Swedish legendary group NEXUS, which performed during 20 years more than 1000 concerts. After Nexus he begun his long-time collaboration with American singer Kim Parker (daughter of Charlie Parker) and they toured all over the world. Later he started the Håkan Rydin Scandinavian Trio. In great demand as a pianist, he has performed with Thad Jones, Pepper Adams, Red Mitchell, Etta Cameron, Enrico Rava, Tim Hagans, Georgie Fame and David Liebman. He has performed in more than 20 countries, his style described as “lyrical and cooking”. Håkan Rydin is Professor of Jazz Piano at the Malmö Academy of Music (Lund University). All of the Headline Jazz Concerts are on sale to the general public. ISME delegates gain access to concerts by showing their delegate badge, no ticket is required. 50

32nd ISME World Conference on Music Education

2140-2215

Caleb Chapman’s Crescent super Band (uniteD states) Organised in 2001, the Crescent Super Band has frequently been hailed as one of the best professional bands in the world to be comprised entirely of young musicians. With a youthful energy and nearly unbelievable performance level, the band has performed their hip, intelligent big band arrangements for thousands. While the ensemble has been featured at many of the world’s most prominent music festivals, their crowning performance was a headlining debut at a packed Carnegie Hall in 2013. In 2015 they made their debut in Cuba at Havana’s “Fiesta Del Tambor”, as well as opened for Journey at the Stadium of Fire event for a crowd of well over 40,000. The Crescent Super Band has caught the attention of many of today's top artists as well. Since its inception the band has performed with over two hundred guest artists including GRAMMY-winners David Sanborn, Gordon Goodwin, Joe Lovano, Esperanza Spalding, Bob Mintzer, Randy Brecker, Nicholas Payton, Christian McBride, Eric Marienthal, Futureman, Dave Weckl, Bob Mintzer, Ernie Watts, Peter Erskine, and Dave Samuels. And with frequent guest artists from groups like Maroon 5, Journey, Big Bad Voodoo Daddy, Tower of Power, Genesis, the Rolling Stones, and the Saturday Night Live Band, they obviously have fans in the industry, as well. The band’s latest release, “The Inside of the Outside” is a joint project with Jeff Coffin, the three-time GRAMMY winning saxophonist of the Dave Matthews Band and features guest performances by Branford Marsalis, Victor Wooten, Randy Brecker, Pedrito Martinez, Rashawn Ross, and others. The album debuted at No. 1 on the iTunes Jazz Chart and continues to receive critical acclaim. Repertoire: The program for Caleb Chapman’s Crescent Super Band will be selected from the following music: Billy Austin, Louis Jordan arr. Myles Collins Is You Is Or Is You Ain’t My Baby Louis Prima arr. Mike Lewis Sing Sing Sing John Davenport, Eddie Cooley arr. Roger Holmes Fever James Alexander Achor, David Mando Dorame, Hey, Pachuco Edwin Bruce Nichols arr. Shane Porter Joe Garland, Paul Lavender In the Mood Jeff Coffin arr. Bret Zvacek Tall and Lanky Irving Berlin arr. Roger Holmes Blue Skies Robert Johnson arr. Tom Malone Sweet Home Chicago Jeff Coffin arr. Chris McDonald Inside of the Outside Adele Adkins, Francis White arr. Sam Cardon Take It All Adele Adkins, Paul Epworth arr. Roger Holmes Skyfall Adam Levine, Jesse Carmichael arr. Sam Cardon Sunday Morning Nathaniel Irvin III, Charles Joseph II, Tightrope Antwan Patton, Janelle Monae Robinson arr. Sam Cardon 32nd ISME World Conference on Music Education

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thursday 28th July 1200-1230

Strathclyde Suite, Glasgow Royal Concert Hall

Kent state university african ensemble (uniteD states) The Kent State University African Ensemble educates students and audiences through an exploration of traditional and contemporary musics and dances from various countries in Africa, and its diaspora. Many students of the ensemble learn cultural sensitivity when performing music and dance repertoire from cultures other their own. Alternatively, members join to connect with aspects of their heritage and identity. The ensemble is comprised of undergraduate and graduate students from a wide variety of majors, and typically performs for educational workshops and events on and off campus in northeast Ohio, USA. We hope to see you at our performance! Repertoire: Gota Nago-Mayi Iron Duke in the Land Nmane Afro-Pop Performers: Janine Tiffe, Jennifer Johnstone, Tyler Rounds, Aaliyah Sims, Ashlee Woods, Charlie VanBuren, Imani Reynolds, Kevin Wilson, Krystal Ubani, Marquita Williams, Matilda Agyekum, Maya Brown and Nina Anani-Manyo

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32nd ISME World Conference on Music Education

thursday 28th July 1240-1310

Strathclyde Suite, Glasgow Royal Concert Hall

Baybeat streetband (englanD, uK) Baybeat is More Music’s longest running project, now in it’s twenty-third year. It is completely open access – absolutely anyone can join regardless of age, ability or experience. Over the last five years the group has changed dramatically with a greater performance focus whilst additionally opening up opportunities to local young people and progression routes between young music leaders and the More Music Freelance Music Leader team. Repertoire: Bring Me Sunshine Just a Closer Walk with Thee America Lets Dance I Feel Like Funkin It Up Nutcracker Hawaii 5-0 Tequila JB Performers: Abbie Dewer, Alice Fyson, Bess Shooter, Carrie Howard, Claire Williams, Diane Parsons, Fergus Walsh, Jamie Matthews, Joseph Hargreaves, Kody Turner, Louise Bonnici, Lucy Banks, Luke Dillon, Michelle Bicknell, Ollie Kingston, Ryan Scott, Soo Law, Steve Hignett and Tom Barnish

32nd ISME World Conference on Music Education

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thursday 28th July 1300-1330

City of Music Studio, Glasgow Royal Concert Hall

francesco Banchini & Baqshish (italY) Francesco Banchini is a talented musician, even if his main instrument is the clarinet. He plays the guitar, piano, percussions and different wind instruments from the flute to different traditional wind instruments of the Middle-East and Eastern Europe. He started playing the clarinet with the Band of Pozzuoli, his home town, at the age of six. At the age of fourteen he started attending the Conservatory of S. Pietro a Majella of Naples, to graduate six years after with a lot of sacrifices and hard work with the highest grade. From 1989 to 1995 he has an intense live activity and starts composing his own music while participating in classical music contests, as a soloist and with a clarinet trio called “Dicearchia”. Francesco has been playing and composing many different musical styles and this shows his incredible curiosity in experimenting, studying historical periods and traditional world music. In 1999, he starts collaborating with the musical group called “Ataraxia”, playing various instruments in their live concerts. In the same year Francesco and other friends create a musical group called “Mescla” that tours in all of Europe doing street concerts and collaborating with circuses, dancers, fire eaters creating a show which brought the spectator to laugh, be surprised and smile because of the energy and unity the group expressed. The music was fundamentally a rearrangement of traditional music of the south of Italy, North African music, and with Rom musicians music from the East of Europe. The Medieval period has always been a fascinating historical period for Francesco and studies the melodies, the instruments and the sacred texts of this period. This alchemy makes him compose medieval music and in 1999 and in 2000, Francesco is the artist director of the Medieval Festival in Campania, held in Casaluce a small town in the hinterland of Naples. Repertoire: The music is a mixture from traditional of South of Italy, Mediterranean, Oriental & Balka. Performers: Sergio Minopoli, Giulio Fazio, Francesco Manna, Maria Elena Berardi and Francesco Banchini

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32nd ISME World Conference on Music Education

thursday 28th July 1200-1230

Stevenson Concert Hall, Royal Conservatoire of Scotland

Beijing new talent academy (China) Martial Spirit and Dance Poem. The performance is derived from the combination of dance and martial arts, which is a distinctive course designed by Beijing New Talent Academy. The course aims to build perfect body shape as well as elegant temperament for girls. Boys can develop perseverance and masculinity through the training process. In New Talent Academy, martial art and dance art are well combined and expressed in the same piece of melody, which not only embodies the artistic characters of both power and flexibility, but also enables students to expose their unique nature from inside out. Repertoire: Jianfen Gu Jianfen Gu Jianfen Gu Jianfen Gu Jianfen Gu Jianfen Gu Jianfen Gu Jianfen Gu Jianfen Gu

Three Character Primer Ti Tzu Kui The Analects of Confucius Song for Departure Homesick Song Le You Yuan Living In The Spring South River Land Maxim Lianbi

Yinglin Wang (Song Dynasty) Minxiu Li The Students of Confucius Changling Wang (Tang Dynasty) Jiao Meng (Tang Dynasty) Shangyin Li (Tang Dynasty) Ding Gao (Qing Dynasty) Folk Songs in Han Dynasty Ying Jin (Qing Dynasty)

Performers: Qingjia Wei, Li Li, Ben Niu, Jia Liu, Yuan Chen, Nan Dong, Houxuan Tan, Shuo Zhao, Shengqiang Qu, Tingting Song, Yu Zhang, Haonan Wang, Mian Feng, Jin Wang, Wentao Lu, Jingnong Yu, Junji Hu, Xuchun Bai, Yuening Huang, Xing Liu, Zihao Yang, Jiatong Chen, Muzi Li, Jingyang Tai, Zihan Fan, Xuan Chen, Yimei He, Jinyi Xu, Ruiting Shu, Yuqing Zhang, Mingxuan Gu, Heyu Zhang, Yifan Huang, Minxiu Jin, Zhenxiang Zhang, Jingen Xu, Zihan Liao, Jianqi Liu, Zhengyu Chen, Jiarun Li, Duoduo Yun, Qinran Bi, Baoliang Jin, Ziteng Zhang, Kexin Piao, Zixi Wang

32nd ISME World Conference on Music Education

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thursday 28th July 1230-1300

Stevenson Concert Hall, Royal Conservatoire of Scotland

trio sorop (hungarY/sWitzerlanD) The Trio Sorop is the fruit of a many years friendship between a musician from the Soroptimist Club Szeged in Hungary and musicians from the SI Club Berne Arcadia in Switzerland. The Trio has supported many social projects between music schools and schools for disabled children, a schoolproject in Londrina Brasil for children of less well-off families and projects for refugees. They have performed in Switzerland, Hungary, Germany and Brazil. As their instrumental combination is unique composers have created or arranged new works for the Trio and their repertoire goes from classical to folksmusic rarities. Founded in 1921, Soroptimist International (SI) is a worldwide volunteer service organization for business and professional women who work to improve the lives of women and girls, in local communities and throughout the world. Through their General (Category One) Consultative Status as a nongovernmental organization at the United Nations the organization seeks equality, peace, and international goodwill for women. Repertoire: Edelweiss and Paprika Hans Peter Graf Ferenc Farkas Charles-Marie Widor Hans Peter Graf Dmitri Shostakovich

Vier Berner Redoutentänze 3 Antiche Danze from 17th century Toccata from Symphony for Organ No. 5 in f minor, Op. 42, No. 1 Fantasie Edelweiss and Paprika World Premiere written for the ISME conference Valse No. 2

Performers: Mária Bottka-Ėgetö, Sylvia Schwarzenbach and Marianne Keller Siucki

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32nd ISME World Conference on Music Education

thursday 28th July 2000-2100

Stevenson Concert Hall, Royal Conservatoire of Scotland

the turksoy Youth Chamber orchestra (turKeY) Since its foundation, the Youth Chamber Orchestra of Turksoy which successfully performed common melodies of Turkic culture across the world, has enchanted its audiences in several concerts it gave not only in the Turkey but also in USA, Europe and Eurasian countries. The orchestra which gave its first concert in Ankara, the capital of the Republic of Turkey and in Istanbul, the European Capital of Culture within the framework of the First International Festival of Youth Orchestras, then participated in the International Festival of Young Artists in Bayreuth (Germany) and performed together with young talents from different countries of the world (2010). The International Youth Chamber Orchestra of Turksoy which came together with a new repertoire dedicated to the 20th anniversary of the independence of Azerbaijan, Kazakhstan, Kyrgyzstan, Uzbekistan and Turkmenistan in 2011, recorded its first CD in the studio of the Presidential Symphony Orchestra of the Republic of Turkey under the leadership of the International Organization of Turkic Culture (Turksoy). In 2012, the International Youth Chamber Orchestra of Turksoy which gave several concerts in the USA, Europe and Eurasia, also performed with the Symphony Orchestra of Turksoy within the framework of its tour featuring the Yunus Emre Oratorio at the Lincoln Center in New York and the Strathmore Music Center in Washington DC. The musicians who gathered once again on the occasion of their tour throughout Turkey organized by Turksoy in 2013 recorded a new CD featuring a fully new repertoire dedicated to the 20th anniversary of Turksoy. Repertoire: will include both western classical and traditional Eurasian music. Performers: Arslan Saifi, Anastasiia Subrakova, Nazrin Aslanli, Assem Kalman, Talantbek Moldokanov, Aidana Abdrakhmanova, Uulzhan Taalaibekova, Mirlan Ulanbek Uulu, Ilayda Zeynep Köksal, Zhangir Zhubanov, Aliya Okeev, Aydan Salamova, Ziba Rajabli, Tahyr Atayev, Aliya Mashkeyeva, Anna Nikolaeva, Akkyz Idirisova, Zhala Aliyeva, Eldar Aitbekov, Shirin Tashibaeva, Anil Atakan Çalişkan, Birzhan Mynbaev, Işin Işik, Amina Mashkeyeva, Ramina Mukusheva, Djumash Durusaliev, Anvar Akbarov and Mustafa Mehmandarov

32nd ISME World Conference on Music Education

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thursday 28th July 1200-1230

AGOS Studio, Glasgow Royal Concert Hall

unC Charlotte: the improbable ensemble (uniteD states) Experimental, extraordinary, Ensemble (x7)2 is an advanced subset of the 49 musicians of the University of North Carolina at Charlotte Chamber Orchestra, devoted to the exploration and evolution of the art and science of musical collaboration. Under the direction of Dr Jonathan Govias, the group presents conventional repertoire in convention-defying ways, pushing the envelope of what is considered possible in performance. Repertoire: Antonin Dvořák

Bagatelles Op. 47 I. Allegretto scherzando II. Tempo di minuetto.Grazioso III. Allegretto scherzando IV. Canon. Andante con moto V. Poco Allegro

Performers: Dawn Carpenter, Faith Foster, Mitchell Stokes, Kelsey Sexton and Jonathan Govias

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32nd ISME World Conference on Music Education

thursday 28th July 1230-1300

AGOS Studio, Royal Conservatoire of Scotland

anatolian sun (turKeY) Anatolian Sun is a very well-known international music ensemble which combines universal instrument techniques and authentic values through modern arrange-ments with the local expressions, by the touch of a gentle harmony. Anatolian Sun reflects the colours of the culture with great mastery, leaves an exceptional feeling together with a fine musical taste on the audience with the combination of Turkish and Western Instruments Established under the auspices of Abant İzzet Baysal University in 2003 thanks to the initiative of Professor Uğur Alpagut and Kemal Bilsel Sarısözen. Repertoire: Muzaffer Sarısözen (From Mediterranean) TRT Ankara Radio (From Mid Anatolia) Muzaffer Sarısözen (From South Eastern Anatolia) Yücel Paşmakçı (From Black Sea) (From Mid Anatolian, the Bağlama solo) Muzaffer Sarısözen (From Eastern Anatolia) (From Cyprus) (The Kaval solo) Nida Tüfekçi /Kerkük Tune (Kirkuk of Iraq) Muzaffer Sarısözen (From İstanbul in Marm)

Myrtle in front of the house Compilation When we don’t dive in to the sea Compilation Song for Yemen Compilation The scarf on your head Compilation Crazy Dervish Iğdır’s Red Apple Compilation Dillirga Blacksheep Altın Hızma Mülayim Compilation On the way to Üsküdar Compilation

Performers: Uğur Alpagut, Adnan Koç, Cihan Yurtcu, Ömer Türkmenoğlu, Uğur Alpagut, Adnan Koç, Cihan Yurtcu, Ömer Türkmenoğlu, Kaya Güç and Yalçın Duran Baygın

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friday 29th July 1200-1230

Main Auditorium, Glasgow Royal Concert Hall

east meets West Youth orchestra (irelanD) This group of 50 young musicians from counties Wicklow and Galway enjoy social, cultural and musical interaction from both ends of Ireland. Together with their tutors, they are especially interested in composing and arranging original material and they present a performance/discussion programme featuring selections of this work. Selected young students recount the group’s musical and social pathways, and their composing responses to various stimuli. Before each of the three chosen pieces they illustrate these processes though a deconstruction of the music involved. The presentation closes with an energetic performance of the final piece, ‘Eclipse’. Repertoire: 1 – ‘The Piece’ 2 – ‘Princess Sophia’ and ‘65’ 3 – ‘Eclipse’ Leaders: Maria O Hara, Sorcha Walsh, Colm O Hara and Matthew Berrill Performers: Aoife Hession, Mark Walsh, Josh Costelloe, Sean Mathieson, Aoife Garry, Orla Steede, Ruth Connolly, Sarah Dooley, Lauren Roche, Orla Clarke, Christine Halligan, Katy Murphy, Caitlin Clarke, James O Neil, Cathal Berkeley Tenor, Emma Donoghue, Hannah Connolly, Maria Walsh, Ellen Quinn, Nicole Hannon, Stephanie Cannon, Sinead St John, Grainne Garvey, Molly Mathieson, Sinead O’Connor, Danielle Flaherty, Hannah Murphy, Isabelle Murphy, Faye Carolan, Lorna Dooley, Niamh O’Neil, Méabh Cunningham, Sophie Morrow, Rachel Browne, Amy Halligan, Elaine Corbett, Róisín Barrins, Aoibhe Kelly, Iarlaith Kelly, Melanie Higgins, Doireann Kelly, Orla Reilly, Darren Steede, Deanna Mc Donagh and Eoin Casey

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32nd ISME World Conference on Music Education

friday 29th July 1200-1230

Stevenson Concert Hall, Royal Conservatoire of Scotland

sCo ViBe (sCotlanD, uK) SCO VIBE is a fusion orchestra led by internationally renowned animateur and guitarist Paul Griffiths, open to young musicians aged 11-18. The course is open to all singers and instrumentalists from any musical background, including classical, folk, rock and pop. SCO VIBE gives young musicians the opportunity to work with players from the Scottish Chamber Orchestra and instrumental instructors. Over the course of a workshop, participants create and perform their own music with the guidance and support of professional musicians. SCO VIBE is delivered in partnership with Drake Music Scotland and City of Edinburgh Council. Repertoire: Original works devised by students and tutors. Group Leaders: Anna Hainsworth and Paul Griffiths Performers: Lewis Elliott, Hilary Elliott, Will Griffiths, Kim Hunter, Jamie Hunter, Daniel Joffe, Ben Lewis, Megan McIntyre, Euan McNeil, Rory Piercy, Aidan Shiels, Emily Williams and Jodie Williams

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friday 29th July 1240-1310

Stevenson Concert Hall, Royal Conservatoire of Scotland

texas tech university steel Drum Band – apocalypso now (uniteD states) Texas Tech University Steel Drum Band, “Apocalypso Now” has entertained many audiences since its formation. Under the direction of Dr Lisa Rogers, this group has performed for such events as the 1997, 1998, 2000, 2001 Texas Music Educators Association Conventions; the 1998, 2000, 2006 Percussive Arts Society International Conventions; and the 2002, 2011 National Conferences on Percussion Pedagogy. The band has also performed aboard Norwegian and Royal Caribbean Cruise Lines as well as opened for The Beach Boys. More recent performances include the 2012 Hawaii International Conference on the Arts and the 2014 Percussive Arts Society Canada Day of Percussion. Tenatative Repertoire: *Lord Kitchener arr. by Andy Narell Margie* William Ballenger My Red Raider Tractor* Pelham Goddard, David Rudder arr Darren Duerden Savannah Party Andy Narell The Last Word* (abridged version) Victor Provost Soufriere* Ray Holman arr. Eugene Novotney Pan in My System Doc Pomus, Mort Shuman arr.Brad Shores Save the Last Dance for Me *Featuring guest soloist Dr Matt Patnode on Alto Saxophone, Professor of Music at North Dakota State University Performers: Lisa Rogers, Matt Patnode, Sarah Harris, Avery Turner, Lee Willis, Cody Holmes, Victoria Boerner, Ben Cordell, Jon Ortiz, Tony Garcia, James Pendell, Joy Harris, Deonne Hearon and Jacob Nalle

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32nd ISME World Conference on Music Education

friday 29th July 1630-1800

Main Auditorium, Glasgow Royal Concert Hall

isme 2016 Closing Ceremony The 2016 Closing Ceremony is hosted by Turkey and will feature performances by Anatolian Sun and the Turksoy Youth Chamber Orchestra – an orchestra made up of young people from across the Turkic region (including Azerbaijan, Kazakhstan, Kyrgyzstan, Uzbekistan, Turkmenistan, Turkey, Tatarstan (RF) and Bashkortostan (RF)). The Turkish and Turkic peoples are warm and open and pride themselves on their hospitality. Istanbul is a vibrant, cosmopolitan city and the and the 2018 ISME World Conference and preconference commission seminars will be hosted in a mix of modern and historic venues. Delegates are warmly invited and encouraged to attend this wonderful event – to share in the rich cultural tapestry of Turkey and learn about the musics of the Turkic region as Glasgow passes over the ISME flag to the 2018 hosts.

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