New Release Kehrer Verlag Noritaka Minami 1972 Texts by Noritaka Minami, Julian Rose, Ken Yoshida Hardcover 24 x 28 cm 100 Pages 54 Color ills. English ISBN 978-3-86828-548-2 34,90 Euro
Rare views of the minimal appartments of the legendary Japanese Capsule Tower Completed in the year 1972, Kisho Kurokawa’s Nakagin Capsule Tower is one of the few visionary proposals realized by an avantgarde architectural movement called Metabolism. An experimental apartment complex designed with 140 removable capsules, this building in Tokyo embodies the future of urban living as envisioned by Kurokawa at that moment in postwar Japan. More importantly, it is a reminder of a future that was never realized in society at large and exists as an architectural anachronism within the city. In recent years, the building has faced the threat of demolition to make way for a more conventional structure. In the book 1972, Noritaka Minami uses photography to document the current state of individual capsules as a response to their potential disappearance. The photographs examine what became of a building that first opened as a radical prototype for a new mode of living in post-industrial society and how this vision of the future appears in retrospect.
Ken Yoshida is Assistant Professor of Visual Culture in the Global Arts Studies Program at the University of California, Merced. Julian Rose is Senior Editor of Artforum and a Founding Principal of the design studio Formlessfinder. Exhibition Griffin Museum of Photography Winchester, Massachusetts 09.07 – 31.08. 2015
Noritaka Minami is an artist based in Boston and Los Angeles. He graduated from the University of California, Berkeley in 2004 where he studied Art Practice and Asian American Studies. In 2011, he completed a M.F.A. in Studio Art at the University of California, Irvine with an emphasis in the Visual Studies Program. Minami is interested in applying the medium of photography as a means of investigating history and memory associated with site .
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